Niet alleen de basis commando’s die elke welgemanierde hond hoort te kennen zoals zit, blijf, kom, hier en af. Maar ook bij slechte gewoontes zoals blaffen, trekken, kauwen, achtervolgen, springen, graven, voor de voeten lopen en zelfs in geval van agressie.
Dat is nu mogelijk! Creëer gegarandeerd een dramatische en positieve verandering in het gedrag van uw hond in slechts enkele minuten. Het systeem is ontwikkeld door wildlife expert en hondentrainer Don Sullivan, ook wel bekend als The Dogfather. Dit ongelooflijke systeem geeft u Don’s jarenlange ervaring op 2 dvd’s. Boordevol met alles dat u moet weten om uw hond te trainen.
Don Sullivan’s Secrets to training the Perfect Dog System
Het systeem bestaat uit de Command collar; een halsband zonder schokken die uw hond scherp houdt en helpt bij het communiceren van uw commando’s door het nabootsen van het natuurlijke correctie proces van een moeder hond. Hij is gemaakt van licht kunststof en zo comfortabel dat uw hond hem met ple
Niet alleen de basis commando’s die elke welgemanierde hond hoort te kennen zoals zit, blijf, kom, hier en af. Maar ook bij slechte gewoontes zoals blaffen, trekken, kauwen, achtervolgen, springen, graven, voor de voeten lopen en zelfs in geval van agressie.
Dat is nu mogelijk! Creëer gegarandeerd een dramatische en positieve verandering in het gedrag van uw hond in slechts enkele minuten. Het systeem is ontwikkeld door wildlife expert en hondentrainer Don Sullivan, ook wel bekend als The Dogfather. Dit ongelooflijke systeem geeft u Don’s jarenlange ervaring op 2 dvd’s. Boordevol met alles dat u moet weten om uw hond te trainen.
Don Sullivan’s Secrets to training the Perfect Dog System
Het systeem bestaat uit de Command collar; een halsband zonder schokken die uw hond scherp houdt en helpt bij het communiceren van uw commando’s door het nabootsen van het natuurlijke correctie proces van een moeder hond. Hij is gemaakt van licht kunststof en zo comfortabel dat uw hond hem met ple
Hoe zou u het vinden als u een hond zou hebben die u bij ieder commando gehoorzaamt? Niet alleen de basis commando’s die elke welgemanierde hond hoort te kennen zoals zit, blijf, kom, hier en af. Maar ook bij slechte gewoontes zoals blaffen, trekken, kauwen, achtervolgen, springen, graven, voor de voeten lopen en zelfs in geval van agressie.Dat is nu mogelijk. Creëer gegarandeerd een dramatische en positieve verandering in het gedrag van uw hond in slechts enkele minuten. Het systeem is ontwikkeld door wildlife expert en hondentrainer Don Sullivan, ook wel bekend als The Dogfather. Dit ongelooflijke systeem geeft u Don’s jarenlange ervaring op 2 dvd’s. Boordevol met alles dat u moet weten om uw hond te trainen.Don Sullivan’s Secrets to training the Perfect Dog SystemHet systeem bestaat uit de Command collar; een halsband zonder schokken die uw hond scherp houdt en helpt bij het communiceren van uw commando’s door het nabootsen van het natuurlijke correctie proces van een moeder hond. Hij is gemaakt van licht kunststof en zo comfortabel dat uw hond hem met plezier zal dragen. Voor extra small tot medium honden neemt u de kleine halsband. Voor large tot extra large honden neemt u de grote halsband. De Command collar wordt geleverd met extra schakels om hem op maat te maken. Of u kunt schakels toevoegen als uw hond groeit. Command Collar is geschikt voor elk ras van elk formaat.Pakket bestaat uit:* 2 dvd’s Don sullivan’s Secrets to Training: Boordevol met alles dat u moet weten om uw hond te trainen. * Verstelbare commando halsband met losse schakels: met extra schakels om hem op maat te brengen of u kunt schakels toevoegen. * 3 trainingslijnen met verschillende lengtes: zorgen ervoor dat geleidelijk aan de noodzaak verdwijnt om uw hond aan de lijn te houden. * Opbergzakje
Verkrijgbaar in de uitvoeringen: Small voor kleinere honden, Large uitvoering voor grote honden.
Tracklist 1 Complainin Bobcats 1 My bonnie lies over the ocean Alvino His Orchestra Ray 1 Saturdaynight is the loneliest night of the week Frank Sinatra 1 La paloma Eddie Lebaron 1 Brazil Bando Da Lua Boys 1 Chop ooey Alvino Rey Orchestra 2 Time will take care of everything Les Brown 2 Pass the biscuits Mirandy Spike His City Slickers Jones 2 My blue heaven Gene Austin 2 Dont sit under the appel tree Harry His Orchestra James 2 Granada Benito Moreno 2 Jukebox Saturday night Glenn Millers Modernaires 3 Aint seen nothin like you Four Freshmen 3 Corte tubo Eddie Lebaron 3 Juke box Joes Carol Adams 3 What more can a woman do Dave Barbour Quartet 3 Shes too hot to handle Bob Howard 3 Harriet Chuck His Orchestra Foster 4 Tampico Stan His Orchestra Kenton 4 Its a good day Dave Barbour Quartet 4 Maria Elena Bob Hannon 4 Crowcrow boogie Dudley Dickerson 4 Siboney Caridad Garcia 4 Aint she sweet Starlighters 5 A friend of yours Pery Como 5 Cowgirl polka Bobby Gregory 5 Cuban nightmare Decastro Sisters 5 Billy Dorothy Loudon 5 The skunk song Cab His Orchestra Calloway 5 Thanks for the boogie ride Roy Eldridge 6 Mambo No. 8 Carlos His Orchestra Molina 6 Youre a character dear Dinning Sisters 6 Swing it Mr. Schubert The Glamourettes 6 A foggy day Hazel Scott 6 Stardust Harry Cool 6 Blue danube Mills Philharmonic Orchestra 7 Sweet Adeline Elton Boys 7 Estrella Bartia Dancer Inesita Moreno 7 Jungle Rhythm Ioana Ouhestin 7 Just the way you are The Dreamers 7 Dream dream dream Les Elgart Orchestra 7 Somebody loves me Jill Dick Hyman Trio Corey 8 Lady in red Darryl His Rhumba Band Harpa 8 Cocktails and oo la la Tari Vance 8 Goodbye The Martha Davis Trio 8 Shine on harvest moon Tune Tumblers 8 All my gratitude Marian Kerrigan 8 The hutsut song Charles Judels 9 Penthouse serenade King Sisters 9 Al compas del mambo Carlos Molina Orchestra 9 Magic is the moonlight The Winnie Hoveler Dancers 9 Blue room Mel Quartet Torme 9 Kiss the boys goodbye The Four Debonairs 9 Aint misbehavin Myra Johnson 10 Out of this world Alan Dean 10 Mindin my business Mildred Fenton 10 Blues of Marys flat Suzanne Graves 10 Song in blue Mary Ford 10 Rhumba boogie Chuy His Orchestra Reyes 10 Take me out of the ball game Ray Bloch Orchestra 11 Theres no tomorrow O sole mio Carl Ravazza 11 Shine Nicodemus 11 Oh Marie Ron His Orchestra Perry 11 I get ideas Carl Ravazza 11 Im learning to speak English Eddie Lebaron Orchestra 11 Dear old Southland Dixiairs 12 Love me or leave me Dick Brown 12 Hokey pokey polka Frank Yankovic 12 Relax Cheerleaders 12 Say si si Herbie His Orchestra Kay 12 I wanna be a fireman Chris His Comedy Band Cross 12 Waiting for the train Foster Chuck His Orchestra Paul Marilyn 13 This love of mine June Christy 13 Fifty thousand dollars Clarence Nordstrom 13 Any time Frank Warren 13 Polka fun Pennsylvania polka Harry Lefcourtss Red Jackets 13 Panamericonga Miguel Alvarez 13 Hark hark the lark Myra Johnson 14 Dont let Julia fool ya Dick Todd 14 Bugle call rag Benny His Orchestra Goodman 14 Dreamers lullaby Alvino Rey Orchestra 14 Casta rumba Evelyn Dall 14 Oh wee oh wee Frazee Sisters 14 All of a sudden my heart sings Jimmy Foster 15 Down yonder Jack Tragarden 15 La cucaracha Gertrude Niesen 15 Papa wont you dance with me Gale Storm 15 Smiles Sunnie Tommy Reynolds Orchestra Oday 15 Im looking out the window Herbie His Orchestra Kay 15 La rosita Jimmy His Orchestra Dorsey 16 The duke Dave Brubeck Quartet 16 Old MacDonald had a farm Elton Boys 16 I learned a lesson Walton Jayne Lawrence Welk Orchestra The 16 Six jerks in a jeep Andrews Sisters 16 Jitterumba Harry Barris 16 Stars fell in Alabama The Dreamers 17 Louise The Joe Reichman Orchestra 17 Honeysuckle Rose Myra Johnson 17 Incoherant blues Oscar Peterson Trio 17 On top of old smokey Barabara Allen 17 Stone Cold dead inthe market Gracie Barrie 17 Polka dot polka The Cope Cuties 18 While were young Marti Stevens 18 Rock rock rock Carl Ravazza 18 Please dont talk about me when Im gone Pete His Orchestra Dailey 18 Paper doll Dorothy Dandridge 18 Iowa Jerry Cooper 18 Our teacher Henry Youngman 19 When you and I were wrong Maggie blues Skylarks 19 Mexican hotfoot Irving His Trio Fields 19 My wild rose Page 5 Singers 19 Come back to Sorrento Al Donahue Orchestra 19 Daddy Virginia Maxey 19 Vinestreet blues Ann Lee 20 Vipity vipity vop The Martha Davis Trio 20 Comin thru the rye Robert Williams 20 Stormy weather Sugar Kane 20 Youre the number one Lillian Roth 20 Tico tico Jeri Sullavan 20 A kiss goodnight Barkley Sisters 21 Dreamsville Ohio Marvel Maxwell 21 Minnie the moocher Cab His Orchestra Calloway 21 Youre a shot in the arm Redd Harper 21 It was wonderful then Bob Hannon 21 Minnie from Trinidad Luba Malina 21 La paloma Eddie Lebaron 22 Tica ti tica ta Mercer Brothers 22 Love is just around the corner The Alvino Rey Orchestra 22 Chant of the jungle Larry His Orchestra Clinton 22 Rigoletto Dawn Dusk Day 22 Just one of those things Royce Goodrich 22 Between the devil and the deep blue sea The Mildred Ray Dancers 23 Dry bones Delta Rhythm 23 A gay ranchero Noro Morales Orchestra 23 The sidewalks at New York Robert Williams 23 From this moment on Gene Williams 23 Youve got me guessing Robert Williams 23 Got a penny Benny Nat King Cole Trio 24 Brazil Nilo Menendez 24 Blue tall fly Four Men Of Song 24 Me Hes making eyes at me Gloria Grey 24 All or nothing at all Mary Osborne 24 Over the waves Pete His Orchestra Dailey 24 A little dutch mill Mary Gilbert 25 The Saints come marching in Wingy His Orchestra Manone 25 How many hearts have you broken Jeanne Blanche 25 Ill get by Bill Conlon 25 Havin a time in Havana Bud Mercer 25 Miss you Don Wilson 25 Lazybones Floyd Obrian 26 Lets get away from it all Johnny His Orchestra Long 26 Lets do it Tony His Orchestra Pastor 26 Mes jeunes ann?es Les Compagnons De La Chanson 26 Rhumba serenade Mills Rumba Orchestra 26 Frivolous sal Gall Grant 26 Temptation Gertrude Nielsen 27 Time on my hands Rose Murphy 27 I dont want to walk without you Kay Lorraine 27 Whatcha know Joe Larry His Orchestra Clinton 27 Anniversary waltz Helen Cole 27 Do nothing till you hear from me Glenn Millers Modernaires 27 Papaya Philip Lopez Orchestra 28 Lulu The Liberty Quartette 28 Skylark The Sonny Dunham Orchestra 28 Its a lovely day Jill Corey 28 Adios Carlos Fernando 28 Big fat mama The Ding Dong Dollies 28 Breakfast in rhythm Barry Palges Orchestra 29 Im the lonesomest gal in town Teresa Brewer 29 If I had my way Lawrence Welk Orchestra 29 Chiquita banana Jerry His Orchestra Bowne 29 Dipsy doodle Larry His Orchestra Clinton 29 Black eyes Rose Murphy 29 Walking with you Whippoorwills 30 Stardust Maxime Marilyn 30 Hawaiian war chant Hilda Puailoa 30 That old feeling Keine K?Nstlerinformation 30 Its easy to remember The Alvino Rey Orchestra 30 Muskrat ramble Connie Haines 30 Begin the beguine Varios Vida 31 Amor Mildred Ray Dancers 31 Where can I go? Toni Arden 31 I guess I took too much for granted The Irving Fields Trio 31 If you want some lovin Teresa Brewer 31 Give this little girl a great big band Ann Pennigton 31 Oh Frenchy Glenn Millers Modernaires 32 My baby just cares for me The Betty Escorts 32 Sombrerita mia Carmelita 32 Shadrach Shadrach Boys 32 The White Ccliffs of Dover Dick Hogan 32 Two hearts that pass in the night Danilo Jean 32 Why dont you do right Peggy Lee 33 Dont cry Vincent His Orchestra Lopez 33 Somebody else is taking my place Ozzie His Orchestra Nelson 33 Babalu Amarillo 33 Whistlin Joe Dreamers 33 Oh Susanna Four Merry Men 33 Jericho Romo Vincent 34 Boogie man Johnny His Orchestra Long 34 Count me in Claude His Orchestra Thornill 34 I cant give you anything but love baby Carolyn Marsch 34 Dont get around much anymore Lina Romay 34 Cielito lindo Alfredo Seville 34 Orange colored sky Cheerleaders 35 Smiles Tommy His Orchestra Reynolds 35 Frenesi Wally Wanger Ensemble 35 Between the devil and the deep blue sea Maureen Cannon 35 Count like that there The Mary Kaaihue Trio 35 Accenttchuate the positive Charley Barnett 35 Hohum Jack Fascinato 36 Cuban pete Luba Malina 36 Rum and coca cola Jeri Sullivan 36 Lydia Rudy Vallee 36 Jiveroo The Della June Taylor Girls 36 Maybe Kidoodlers 36 A nightingale sang in Berkeley Square Tamara 37 Tying apples on a lilac tree The Alvino Rey Orchestra 37 Friendly tavern polka Sylvia Froos 37 Tangerine Charles Buddy Carole Roger 37 Theres a pampus moon on the campus Diana Del Rio 37 Drink to me only with thine eyes Harris Barris 37 Jack Armstorng blues The Judd Conion Singers 38 Lazy river Mills Brothers 38 Swinging on a star Harry Lefcourts Red Jackets 38 Fuzzy wuzzy Don His Orchestra Perry 38 La comparsa The Havana Madrid Show 38 Blue moon Wendy Bishop 38 Whispering Betty Underwood 39 Moonlight beomes you Valerie Thon 39 Rio de Janeiro Maria Del Rey 39 The biggest aspidastra in the world Johnny His Orchestra Messner 39 Pretty eyed baby Bob Scott 39 I may be wrong Tune Tellers 39 Therell be some changes made Ginger Harmon 40 Mi rumba Lola Andre 40 Way down yonder in New Orleans Gaye Dixon 40 Good morning Mr. ZipZipZip Tony His Orchestra Pastor 40 Cocktails for two Melowaires 40 By the light of the silvery moon Jack FascinatoLeeftijd OnbekendProductiejaar 2010
Een correctie een lift een liposuctie ndash daar kies je voor. En tijdens een financile crisis kiezen de mooie mensen ervoor om er niet aan te beginnen. McNamaraTroy zoekt hulp bij een aantrekkelijke chirurg om meer werk binnen te halen. Verder in de wereld van NipTuck Matt probeert op het strand wat te verdienen als mimespeler zijn nieuwe carrire gaat een kant op waar je sprakeloos van wordt. Kimber treurt over de neergang van haar lijn seksspeeltjes. En het huwelijk van Christian en Liz? Dat is enorm voorbij. Dus verwacht niet dat de dokters kansen laten liggen risicorsquos of niet. Een levensecht masker maken voor een travestiet dat hij kan dragen als hij met zijn vrouw in de stad is? Geen punt. Twee makelaars helpen er meer als Barbie en Ken uit te zien? Tuurlijk. Een ter dood veroordeelde met extreem overgewicht op verzoek van de staat een liposuctie geven zodat hij gexecuteerd kan worden? Daar moeten de dokters even over nadenken.Tracklist 1 Don Hoberman 2 Enigma 3 Briggitte Reinholt 4 Jenny Juggs 5 Abigail Sullivan 6 Alexis Stone 7 Alexis Stone II 8 Lola Wlodkowski 9 Benny Nilsson 10 Wesley Clovis 11 Dan Daly 12 Willow Banks 13 Joel Seabrook 14 Sheila Carlton 15 Virginia Hayes 16 Dr. Griffin 17 Christian Troy II 18 Walter and Edith Krieger 19 Hiro YoshimuraSound Dolby Digital 2.0 Dolby Digital 5.1Speelduur 798 min.Kijkwijzer Geweld Grof taalgebruikLeeftijd Afgeraden voor kinderen
The third album by this incarnation of Renaissance was a match for their previous success, Ashes Are Burning, with equally impressive performances and songwriting and a few new musical twists added. The songs here fit more easily into a rock vein, and the prior album's folk influences are gone. Turn of the Cards rocks a bit harder, albeit always in a progressive rock manner, and Jon Camp's bass and Terence Sullivan's drums are both harder and heavier here, the bass (the group's only amplified instrument) in particular much more forward in the mix. This change works in giving the band a harder sound that leaves room for Jimmy Horowitz's orchestral accompaniments, which are somewhat more prominent than those of Richard Hewson on the prior album, with the horns and strings, in particular, more exposed. Annie Haslam is in excellent voice throughout, and finds ideal accompaniment in Michael Dunford's acoustic guitar and John Tout's piano. The writing team of Dunford and Betty Thatcher also adds some new wrinkles to the group's range -- in addition to progressive rock ballads like 'I Think of You,' they delivered 'Black Flame,' a great dramatic canvas for Haslam and Tout, in particular: and 'Mother Russia' is a surprising (and effective) move into topical songwriting, dealing with the plight of Alexander Solzhenitsyn and other victims of Soviet repression (you had to be there in the 1970s to realize what a burning issue this was). And then there were the soaring, pounding group virtuoso numbers like 'Things I Don't Understand,' which managed to hold audience interest across nine or ten minutes of running time. ~ Bruce Eder
One of the fears Jazmine Sullivan expressed near the end of her debut was that of being dropped by her label. Three remarkably distinctive Hot 100 singles, gold album sales, and five Grammy nominations later, the singer/songwriter s safety was ensured. Thankfully, the J label isn t merely keeping Sullivan around but allowing her to remain her creative, imaginative self. Odds are that no other major-label R&B singer would be allowed to record a song like 'Redemption,' in which Sullivan raps cold-eyed in the first person as a female crack addict and as a male woman-beater while breaking up the tales with a fraught gospel chorus. None of Sullivan s contemporaries could possibly pull off 'Stuttering' -- a gimmicky but palpable piano-led ballad conveying anxiety over a romantic interest -- without sounding like clumsy comedy. Love Me Back is, by no means, strictly experiments. Those who dug Fearless' throwback soul have plenty to soak up. The Missy-produced, Manhattans-sampling 'Excuse Me' is Sullivan s most gorgeous in-love song yet, while the scorned-lover '10 Seconds' makes the ultimate case for her frequent in-the-red mode, which always serves the song: when you re bugging out, 'throwing and breaking shit,' and threatening to get your mom and cousins involved, there s no sense in trying to be the least bit restrained or cool about it. And then, just a couple songs later, perhaps as a way to prove that she can pull back, she adds the meringue to the impeccable synthetic pop-funk of 'Don t Make Me Wait' like it s nothing, mentioning Vanity 6 in the hook as she lures a one-night stand. After factoring in the fictitious post-breakup duet with Ne-Yo (which is more like a verbal joust), the self-flagellating 'Holding You Down (Goin' in Circles)' (a collision of oft-used samples and references that does not sound the least bit tired), and the nakedly ambitious 'Famous' (where she yearns for girls to want to be like her), it becomes increasingly clear that Love Me Back sprawls and stuns in equal measure.
Though not as strong as Whisper Tames the Lion, Mystery Road keeps Drivin' n' Cryin' in search of the best way to fuse their harder rock leanings with their traditional Southern roots, as they vacillate from the crunch of 'You Don't Know Me' to the wistful 'Peacemaker.' Peter Buck guests on electric dulcimer throughout. However, in the end, this is the least memorable record in the Drivin' n' Cryin' canon. ~ Denise Sullivan
The third album by this incarnation of Renaissance was a match for their previous success, Ashes Are Burning, with equally impressive performances and songwriting and a few new musical twists added. The songs here fit more easily into a rock vein, and the prior album's folk influences are gone. Turn of the Cards rocks a bit harder, albeit always in a progressive rock manner, and Jon Camp's bass and Terence Sullivan's drums are both harder and heavier here, the bass (the group's only amplified instrument) in particular much more forward in the mix. This change works in giving the band a harder sound that leaves room for Jimmy Horowitz's orchestral accompaniments, which are somewhat more prominent than those of Richard Hewson on the prior album, with the horns and strings, in particular, more exposed. Annie Haslam is in excellent voice throughout, and finds ideal accompaniment in Michael Dunford's acoustic guitar and John Tout's piano. The writing team of Dunford and Betty Thatcher also adds some new wrinkles to the group's range -- in addition to progressive rock ballads like 'I Think of You,' they delivered 'Black Flame,' a great dramatic canvas for Haslam and Tout, in particular: and 'Mother Russia' is a surprising (and effective) move into topical songwriting, dealing with the plight of Alexander Solzhenitsyn and other victims of Soviet repression (you had to be there in the 1970s to realize what a burning issue this was). And then there were the soaring, pounding group virtuoso numbers like 'Things I Don't Understand,' which managed to hold audience interest across nine or ten minutes of running time. ~ Bruce Eder
One of the fears Jazmine Sullivan expressed near the end of her debut was that of being dropped by her label. Three remarkably distinctive Hot 100 singles, gold album sales, and five Grammy nominations later, the singer/songwriter s safety was ensured. Thankfully, the J label isn t merely keeping Sullivan around but allowing her to remain her creative, imaginative self. Odds are that no other major-label R&B singer would be allowed to record a song like 'Redemption,' in which Sullivan raps cold-eyed in the first person as a female crack addict and as a male woman-beater while breaking up the tales with a fraught gospel chorus. None of Sullivan s contemporaries could possibly pull off 'Stuttering' -- a gimmicky but palpable piano-led ballad conveying anxiety over a romantic interest -- without sounding like clumsy comedy. Love Me Back is, by no means, strictly experiments. Those who dug Fearless' throwback soul have plenty to soak up. The Missy-produced, Manhattans-sampling 'Excuse Me' is Sullivan s most gorgeous in-love song yet, while the scorned-lover '10 Seconds' makes the ultimate case for her frequent in-the-red mode, which always serves the song: when you re bugging out, 'throwing and breaking shit,' and threatening to get your mom and cousins involved, there s no sense in trying to be the least bit restrained or cool about it. And then, just a couple songs later, perhaps as a way to prove that she can pull back, she adds the meringue to the impeccable synthetic pop-funk of 'Don t Make Me Wait' like it s nothing, mentioning Vanity 6 in the hook as she lures a one-night stand. After factoring in the fictitious post-breakup duet with Ne-Yo (which is more like a verbal joust), the self-flagellating 'Holding You Down (Goin' in Circles)' (a collision of oft-used samples and references that does not sound the least bit tired), and the nakedly ambitious 'Famous' (where she yearns for girls to want to be like her), it becomes increasingly clear that Love Me Back sprawls and stuns in equal measure.
Though not as strong as Whisper Tames the Lion, Mystery Road keeps Drivin' n' Cryin' in search of the best way to fuse their harder rock leanings with their traditional Southern roots, as they vacillate from the crunch of 'You Don't Know Me' to the wistful 'Peacemaker.' Peter Buck guests on electric dulcimer throughout. However, in the end, this is the least memorable record in the Drivin' n' Cryin' canon. ~ Denise Sullivan
Discover the deep, dark secrets of the Alpha businessman As a woman, you know you're every bit as effective and capable as a man is in the arena of business-but that doesn't mean there aren't things you need to know about men and business.
Based on the idea that you can't (and don't want to) cover everything in a survey course, H.W. Brands and a team of award-winning historians present the story of American history in a refreshing new way. American Stories: A History of the United States concentrates on the topics most commonly taught in an American history survey course, with a focus on the major themes and the connections between them. A unique pedagogical program developed and implemented by instructional designers provides a consistent structure for students as the story of American history unfolds.
1. Introduction: Thomas J. Henneberry, Robert M. Faust; 2. Foreign Exploration for Insect Natural Enemies of Bemisia for Use in Biological Control in the USA: A Successful Program: Alan A. Kirk et al. 3. Entomopathogenic Fungi for Control of Bemisia tabaci Biotype B: Foreign Exploration, Research and Implementation: Lawrence A. Lacey et al. 4. Systematics and Biology of Encarsia: John M. Heraty et al.5. The Genus Eretmocerus: Gregory Zolnerowich, Mike Rose.6. Molecular Characterization with RAPD-PCR: Application of Genetic Diagnostics to Biological Control of the SweetPotato Whitefly: Don C. Vacek et al. 7. Quarantine Evaluation of Parasitoids Imported into the USA for Biocontrol of Bemisia tabaci Biotype B: John A. Goolsby et al. 8. Evaluation of Exotic Parasitoids and Predators in Field Cages in California: Kim A. Hoelmer, William J. Roltsch. 9. Field Evaluation of Bemisia Parasitoids in Texas: Matthew A. Ciomperlik, John A. Goolsby. 10. Mass-Rearing Bemisia Parasitoids for Support of Classical and Augmentative Biological Control Programs: Gregory S. Simmons et al. 11. Release and Recovery of Exotic Parasitoids of Bemisia tabaci in the Lower Rio Grande Valley of Texas: John A. Goolsby, Matthew A. Ciomperlik. 12. Release and Recovery of Four Species of Eretmocerus against Bemisia tabaci Biotype B in Arizona: Juli Gould et al.13. Release and Recovery of Exotic Natural Enemies of Bemisia tabaci (Biotype "B") (Hemiptera: Aleyrodidae) in Imperial Valley, California: William J. Roltsch et al. 14. Releases of Exotic Parasitoids of Bemisia tabaci in San Joaquin Valley, California: Charles H. Pickett et al. 15. Habitat Management for the Establishment of Bemisia Natural Enemies: William J. Roltsch et al. 16. Integrating Parasitoid Releases with Traditional Control Methodologies: Experience in the Spring Melon Production System in the Southwestern USA: G. Simmons et al. 17. Multivariate Analysis of Bemisia tabaci Biotype B and Associated Parasitoid Populations within the Imperial Valley Agricultural System: Earl Andress
Ieder gewoon mens moet werken. Een predikant - zo heeft de Deense dominee Kaj Munk niet zonder humor opgemerkt - is daarvan vrijgesteld, hij heeft alleen maar vrije tijd om te preken en om te herderen over zijn kudde: zieken bezoeken, dopen, huwelijken inzegenen, begraven, wat niet al. Nico ter Linden (1936) heeft dat zijn leven lang met hart en ziel gedaan, op het platteland en in de Westerkerk te Amsterdam, in ziekenhuizen en gevangenissen. In dit boek ziet hij daarop terug en vertelt hij erover, zoals alleen hij dat kan: over het gezin waarin hij werd geboren, over de leermeesters die hem vormden en over de vele kostgangers van onze lieve Heer die hij mocht ontmoeten. Zijn predikantschap bracht hem een schat aan ervaring, en daarom valt er van alles te leren uit Alleen maar vrije tijd. Do's and don'ts voor dominees en priesters, handreikingen van inhoudelijke en van praktische aard. Een aanstekelijk boek, voor vakgenoten maar evenzeer voor iedereen die het reilen en zeilen van de kerk ter harte gaat en zijn geloof nog even niet aan de wilgen wil hangen.
Offers inspiration for individuals tired of career conformity. This book shows how we arrived at a situation where many of us are tied to jobs we don't enjoy. It demonstrates the steps you need to take to find out who you are and what you want from life. It reveals how you can turn all that into a business idea that is authentic to you.
In this, the first of two ground-breaking volumes on the nature of language in the light of the way it evolved, James Hurford looks at how the world first came to have a meaning in the minds of animals and how in humans this meaning eventually came to be expressed as language. He reviews a mass of evidence to show how close some animals, especially primates and more especially apes, are to the brink of human language. Apes may not talk to us but they construct rich cognitive representations of the world around them, and here, he shows, are the evolutionary seeds of abstract thought - the means of referring to objects, the memory of events, even elements of the propositional thinking philosophers have hitherto reserved for humans. What then, he asks, is the evolutionary path between the non-speaking minds of apes and our own speaking minds? Why don't apes communicate the richness of their thoughts to each other? Why do humans alone have a unique disposition to reveal their thoughts in complex detail?Professor Hurford searches a wide range of evidence for the answers to these central questions, including degrees of trust, the role of hormones, the ability to read minds, and the willingness to cooperate. Expressing himself congenially in consistently colloquial language the author builds up a vivid picture of how mind, language, and meaning evolved over millions of years. His book is a landmark contribution to the understanding of linguistic and thinking processes, and the fullest account yet published of the evolution of language and communication. "A wonderful read - lucid, informative, and entertaining, while at the same time never talking down to the reader by sacrificing argumentation for the sake of 'simplicity'. Likely to be heralded as the major publication dealing with language evolution to date. Frederick J. Newmeyer, University of Washington
"If you can't draw it, you don't know it:" that was the rule of the late neuroanatomist William DeMyer, MD. Yet books do not encourage us to draw and redraw neuroanatomy. Neuroanatomy: Draw It to Know It teaches neuroanatomy through step-by-step instruction of how to draw neuroanatomical pathways and structures. Its instructive language is highly engaging. Users draw neuroanatomical structures and pathways in several steps so they are remembered and use mental and physical mnemonics to demonstrate difficult anatomical rotations and directional pathways. Anatomical pictures and radiographic images accompany the diagrams to clarify spatially challenging features; relevant synonyms are listed to avoid inter-text confusion; inconsistencies in the neuroanatomy literature are highlighted to mitigate frustration; and historical and current accounts of neuroanatomical systems are presented for perspective. Many neuroanatomy textbooks are great references, but fail to provide a working knowledge of neuroanatomy, and many neuroanatomy handbooks provide bedside pearls, but are too concise to be fully satisfactory.This instructional workbook teaches a comprehensive, but practical approach to neuroanatomy; it includes references where necessary but steers users toward key clinical features. Most importantly, Neuroanatomy: Draw It to Know It instructs the reader to draw and redraw the anatomy and teaches an active approach to learning.
Een reis door Europa in de voetsporen van 16 literaire heldenUilenspiegel, Robin Hood, Don Juan - hun namen zijn spreekwoordelijk geworden. Maar wie realiseert zich dat ze echt hebben geleefd? Op zoek naar historische figuren die niet weg zijn te denken uit de westerse cultuurgeschiedenis bezocht Pieter Steinz het bos van Macbeth, de burcht van Vlad Dracula, het graf van Koning Arthur en de stad waar Rabbi L÷w zijn Golem kneedde. Hij vond ridder Roeland in de besneeuwde pas van Roncesvalles, Wilhelm Tell in de stortregen bij het Vierwoudstrekenmeer, Leonidas en zijn 300 Spartanen in zinderend Thermopylae. Door ItaliÙ, Ierland, Duitsland en Spanje volgde hij het spoor van de enige vrouwelijke paus, de middeleeuwse abt die de Nieuwe Wereld ontdekte, de Leugenbaron, de Nibelungenhelden, de alchemist die zijn ziel aan de duivel verkocht, en niet te vergeten de grootste vrouwenversierder aller tijden.
"e;This is a wonderful book. I recommend it to all families as required reading."e; Harville Hendrix, Ph.D. author, Getting the Love You Want and Giving the Love That Heals: A Guide for Parents"e;This is a beautiful booktimely, passionate, and powerful. It is also so well written, it's a page-turner and you'll find wealth of insight on every page. If you have specific questions about how to make family love last, this book has practical answers."e; Michael Gurian author, The Minds of Boys and The Wonder of Girls"e;Scott Haltzman's writing is so engaging, it's the kind of book you pick up in a bookstore and find yourself still reading a half hour later. Inspiring and enlightening, it is filled with fascinating facts, educational anecdotes, and wise advice that you will remember, use, and repeat to others, even years from now. Don't miss this outpouring of love from a seasoned writer and psychiatrist."e; Susan Page author, Why Talking Is Not Enough and If I'm So Wonderful, Why Am I Still Single?"e;Few well-written and easily read books treat us to solid research, a wide range of thoughtful quotes, and the author's real-life experience on perhaps life's most important subject: creating a happy family. This book does it all!"e; Warren Farrell, Ph.D. author, Women Can't Hear What Men Don't Say and Why Men Are the Way They Are "e;Haltzman's latest entry into the 'advice to families' genre is a gem. Grounded in solid family research and his own survey of families, Haltzman offers sound, practical, and compassionate advice for families. His recognition of the diversity of contemporary families is one of the great strengths of this book. The accessible style is sure to please a wide range of readers from parents to family professionals."e; Ross D. Parke, Ph.D. Distinguished Professor of Psychology, Emeritus, University of California, Riverside; and past president, Society for Research in Child Development
'Don't keep asking when I'm coming back, David. I'm only away because your father said he'd kill me.' When he was twelve, David Cohen was left by his parents, though he'd only been three years in England. He knew he'd be put in an orphanage if anyone found out. So he made sure no one did. His posh school, St Paul's, never realised his parents had left him. For weeks David cried himself to sleep and asked God why He had done this to a nice boy who passed all his exams and was a good left arm spin bowler. But David had the sense to turn up at school every day, to get his uniform cleaned and to say nothing to anyone. Only the local dry cleaner suspected something was wrong - he never charged David a penny. This is the astonishing true story of a boys journey from boy to man, with little help from his parents save for Friday dinner with his Father in a restaurant where he was given money for the week ahead. Being abandoned is painful and tragic but David's story becomes comic as he fends off randy men who want to show him their telescopes, writes absentee notes to skive off school and falls hopelessly in lust with a Finnish au pair girl.His school suspects nothing as he produces decent essays on the usual suspects - Luther, Henry VIII and whether King Lear was madder than Hamlet. Painful but written with humour, this is the real story of being home alone - the ups and the downs, from learning to cook to the first kiss. David Cohen is the author The Escape of Sigmund Freud also by JR Books, and the best-selling Diana: Death of a Goddess.
Rhetorical Grammarencourages writers to recognize and use the grammatical and stylistic choices available to them and to understand the rhetorical effects those choices can have on their readers. Rhetorical Grammar is a writer's grammar - a text that presents grammar as a rhetorical tool, avoiding the do's and don'ts so long associated with the study of grammar. It reveals to writers the system of grammar that they know subconsciously and encourages them to use that knowledge to understand their choices as writers and the effects of those choices on their readers. Besides providing key strategies for revision, Rhetorical Grammar presents systematic discussions of reader expectation, sentence rhythm and cohesion, subordination and coordination, punctuation, modification, diction, and other principles.
Detailed 'Dos and Don'ts' on how to approach Cambridge FCE tasks. A greater emphasis on vocabulary. Guided extracts from recorded Speaking tests. A Writing Guide containing model answers and ideas for Paper 2. Tests and photocopiable activities available online.
Most women don't bother taking money into consideration when looking for a mate. This book lays out stories, stats, and science to build a case for why a girl should never marry for romantic love alone. It empowers women with a fresh game-plan for making one of the important decisions of their lives.
Don Juan is one of the intriguing creations of Western literature. A legendary seducer of women, trickster and transgressor of sacred boundaries, he has been the object of countless revisions over the centuries. Using an interdisciplinary approach, this title focuses on the intersections between myth, culture and intellectual inquiry.
Aims to engage in a dialogue with the millions of the indifferent, the undecided, the don't knows and the don't cares who carry on pretending without any real conviction.
With every supermarket now featuring an "organic" section, the demand for organically-grown meat and dairy products has risen rapidly in recent years. Small farmers have taken note and many more beginners are considering cattle as a viable farm commodity. GETTING STARTED WITH BEEF & DAIRY CATTLE is the essential handbook for this growing audience. Heather Smith Thomas, a lifelong cattle rancher and author of several previous books for more experienced farmers, offers a succinct layperson's guide to the basics of raising a small herd of cattle, whether for meat or dairy products. She outlines both organic and natural farming methods, and covers all the information needed to get started and be successful. GETTING STARTED WITH BEEF & DAIRY CATTLE encourages new and beginner farmers to start small, and start right. Thomas explains as simply as possible the basics of selecting and raising a calf, along with feeding, shelter, and care guide-lines. She also covers breeding and calving, as well as tips for managing a herd throughout the seasons. There's basic health care information for preventing disease and addressing common ailments.For those raising beef cattle, Thomas offers guidelines for butchering; for those raising dairy cattle, there are step-by-step guidelines on milking. With a whole new generation returning to the farm who don't have a family history of farming, GETTING STARTED WITH BEEF & DAIRY CATTLE is a much-needed resource. Heather Smith Thomas has devoted her life to passing on the knowledge, understanding, and attitude necessary for becoming a successful farmer.
You don't need pots of money to start your own gardening business. With this book and a willingness to learn, you could soon be enjoying a profitable and enormously satisfying career doing something you love. Whether your aspirations are simply to sell a selection of home grown plants from the boot of your car or to establish a succesful all-year-round gardening business, this book will show you how. It covers: - Preparing your business plan - Getting kitted out - How to find work - and keep it - What services to offer - Book-keeping for gardeners - Planning the gardening year - How to get commercial contracts - Providing estimates - The top ten most profitable gardening jobs
Although the author was a missionary, far from converting the Pirahas, they converted him. This title shows the slow, meticulous steps by which he gradually mastered their language and his gradual realisation that its unusual nature closely reflected its speakers' startlingly original perceptions of the world.
Bilingual education has long been a controversial topic for communities, policy makers, and teachers. Misconceptions about what bilingualism itself is, and what bilingual education should do, have laid the groundwork for a wide range of policies that don't always have a coherent vision for their students.
Contents: Foreword; Preface; Through the Back Door: From Invisibility to Visibility; Close Encounters: A Pilgrimage of Penance and Expiation; Surviving the 'Killing Zones' of Higher Education; Connecting Teaching and Mentoring to Learning : My Contributions to the American Academy; Adventures in Turbulent Seas; A Complex Web of Acceptance and Misgiving: My Journey in American Higher Education; 'Seeing Colour': My Journey in American Higher Education; My Brother's Teacher: An African at the Vanguard of American Higher Education; Making a Difference: My Contributions to American Higher Education; And Don't Call me Arrogant; My Experiences as a Growing Scholar in US Higher Education; I am the Person I Know Best: Perspectives on American Higher Education; Index.
As a boy, Brian Greene read Albert Camus' The Myth of Sisyphus and was transformed. Camus, in Greene's paraphrase, insisted that the hero triumphs "by relinquishing everything beyond immediate experience." After wrestling with this idea, however, Greene rejected Camus and realized that his true idols were physicists; scientists who struggled "to assess life and to experience the universe at all possible levels, not just those that happened to be accessible to our frail human senses." His driving question in The Fabric of the Cosmos, then, is fundamental: "What is reality?" Over sixteen chapters, he traces the evolving human understanding of the substrate of the universe, from classical physics to ten-dimensional M-Theory.Assuming an audience of non-specialists, Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and Inflationary Cosmology with analogies drawn from common experience. For the most part, he succeeds. His language reflects a deep passion for science and a gift for translating concepts into poetic images. When explaining, for example, the inability to see the higher dimensions inherent in string theory, Greene writes: "We don't see them because of the way we see.like an ant walking along a lily pad.we could be floating within a grand, expansive, higher-dimensional space."For Greene, Rhodes Scholar and professor of physics and mathematics at Columbia University, speculative science is not always as thorough and successful. His discussion of teleportation, for example, introduces and then quickly tables a valuable philosophical probing of identity. The paradoxes of time travel, however, are treated with greater depth, and his vision of life in a three-brane universe is compelling and--to use his description for quantum reality--"weird."In the final pages Greene turns from science fiction back to the fringes of science fact, and he returns with rigor to frame discoveries likely to be made in the
Fabulous combined giftbook edition of the two mini books WHY MEN DON'T LISTEN AND CAN ONLY DO ONE THING AT A TIME and WHY WOMEN CAN'T READ MAPS AND WON'T STOP TALKING
Intended for those who care about creating a more just, sustainable and socially responsible world but don't know where to begin, this book contains information on global problems, effective actions, and resources.
Public opinion polls are everywhere. Journalists report their results without hesitation, and political activists spend millions of dollars on them, fueling the assumption that elected officials "pander" to public opinion. In this book, the authors argue that the reality is quite the opposite.
Editors' Notes (William C. McGinly, Kathy Renzetti). 1. Maximizing fundraising's strategic contribution (Stephen C. Falk) This chapter addresses the key issues of philanthropy integration into the strategic initiatives and culture of the nonprofit health care organization. 2. Integrating fundraising into finance (Nick G. Costa) This chapter seeks to increase understanding of the goals and pressures that the development office and the finance office face. It then presents a process and supporting strategies for integrating fundraising into financial needs that are consistent with the hospital's vision and mission. 3. Successful strategies for effective stewardship (L. Alayne Metrick) The concept of effective stewardship can be a powerful element in winning and retaining donors who have the continuing ability to make major gifts. 4. The fundraising CEO (Frank R. Hall) This chapter presents the dramatically changing role of the CEO in the past century in creating a philanthropic culture. 5. Physician fundraising: Evolution, not revolution (Mara Hook, Jerry Mapp) This chapter is a guide to how to engage physicians in the philanthropic process. 6. Hardwiring for maximum fundraising return on investment (James M. Greenfield) Nonprofit boards of directors, administrators, fundraising staff, volunteers, and donors require a reliable and trustworthy method to evaluate fundraising results with consistency. Regular evaluations will improve results, document progress, and provide guidelines for reliable forecasts of future income and deliver maximum return on investment. 7. Don't fill a position; recruit talent (Gail L. Freeman) There are few decisions as critical as choosing new development leadership for a nonprofit institution. The process of recruitment is an opportunity for the institution to further define its culture and community, as well as its fundraising goals. 8. Attracting top talent and retaining stars (Claudia A. Looney, James K. Looney) The fundraising profession has become an
Nearly everyone collects something, even those who don't think of themselves as collectors. Part memoir, part reflection on the mania of acquisition, this title takes a hard look at this habitual hoarding to see what truths it can reveal about the impulse to accumulate.
Shows you how to make millions while living life on your own terms. This book equips you with a step-by-step formula for turning your great idea into a million-dollar business in as little as twelve months. It proves you don't have to be smart, lucky, or rich to make millions.
Contents Part A: Invitation To The Journey Chapter 1: The Call To Adventure; What We Don't Want * Having made our initial life choices and gone down certain personal and professional paths, we are often startled by an internal or external call to adventure. *An internal call to adventure is characterised by a feeling of uncertain longing, boredom, limitation, constriction, is this all there is kind of feeling. *An external call to adventure is usually something dramatic that seems to happen to us, to which we have to respond perhaps a job loss, a marriage breakdown, bereavement, illness *We feel challenged, lost, confused, afraid, uncertain, frustrated *Should we stay or should we go? And where? How? Chapter 2: The Call To Adventure: What We Want *Creating a Personal Vision Day *It's our unlived lives calling to us, our need to understand and express ourselves more fully, to use our full range of gifts in the world, feel fulfilled, integrated, a sense of meaning and purpose, happy *Whether or not we consciously recognise it, we want to feel our lives have meaning and purpose, that we know who we are at our best and who we can be, that more often than not we are that person *We want to feel that our relationships and our work live up to our aspirations for them; we want love, we want fulfilment *We want to feel vital and energised *We want to have fun, maybe even feel bliss *We want vision, to know where we're going and what our purpose is *And what stops us from achieving these goals? Chapter 3: The Journey; Getting What We Want *If we're in a dark wood, where are we heading? *In order to let go of what is too limiting in ourselves and in our lives, we need to go on an adventure *We move away from the familiar ways of being and doing *We face trials, challenges, battles as we leave the familiar ways but haven't yet reached our destination *We are liminal, betwixt and between *We have all kinds of helpers and perhaps opponents too *We need a plan to move us forward to where we want to b
State militias were among the first troops to respond to the outbreak of the Civil War. Those who answered the call to arms represented a cross-section of the country, both North and South. This volume contains photographs and paintings which convey the diversity of Civil War militia and capture the uniqueness of their garb and gear.
Precalculus: Concepts Through Functions, A Right Triangle Approach to Trigonometry, Second Edition embodies Sullivan/Sullivan's hallmarks--accuracy, precision, depth, strong student support, and abundant exercises--while exposing readers to functions in the first chapter. To ensure that students master basic skills and develop the conceptual understanding they need for the course, this text focuses on the fundamentals: preparing for class, practicing their homework, and reviewing the concepts. After using this book, students will have a solid understanding of algebra and functions so that they are prepared for subsequent courses, such as finite mathematics, business mathematics, and engineering calculus.
A guide to choosing and keeping the right partner, this book reveals why partners are chosen and to make a better choice; how much sexual chemistry exists between partners; ten types of relationships that don't work; and six essential qualities to to look for in a mate.
Side effects are things we do not intend. And, in this collection of essays, Adam Phillips examines how the things we don.t mean, or mean perhaps to forget, prove to be those that are often most telling about our unconscious lives.Phillips also intends for us to question our conscious pursuit of happiness, explaining that, in refusing to admit and explore life.s down sides, we can only be living half lives. And through his unique and incisive exploration of literature, Phillips also demonstrates what the great novelists have to tell us about ourselves.Both illuminating and fascinating on literature as well as life, Side Effects maps our edges as human beings, and, in doing so, goes some way to helping give shape to our lives.
A Bad Childhood is easy to come by, but you don't have any control over it. A Good Life after a Bad Childhood is not easy to create, but you DO have control over that. In her new empowering book, Dr Laura Schlessinger, author of seven New York Times bestsellers, shows you how to blossom and thrive in spite of an unhappy childhood
Easy-to-apply, scientifically-based approaches for engaging students in the classroom Cognitive scientist Dan Willingham focuses his acclaimed research on the biological and cognitive basis of learning. His book will help teachers improve their practice by explaining how they and their students think and learn.