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-The Canon Tele Converter TC-DC58D converts the focal distance of the body lens by a facter of approximently 1.4x when attached.
-Requires Converson Lens Adapter LA-DC58K to attach this lens to the PowerShot G10 Digital Camera.
-Lens Type: Teleconverter.
-Product Dimensions: 2.7 x 2.7 x 1.6 inches ; 5 ounces.
(Prijs na landelijke subsidie € 2290,00)
Dit pakket biedt de totaaloplossing voor de camerabeveiliging binnen uw bedrijf. Het pakket bestaat uit de volgende onderdelen:
1x 16 kanaals Premium V2.0 NL DVR Recorder met 2000GB geheugen 16x Premium camera, Sony HAD CCD, 540 lijnen, varifocus 4 - 9 mm* 16x Toebehoren voor werking van het systeem; Adapters, ophangbeugels, schroeven* U heeft een vrije keuze uit al onze premiumcamera's.
Eventueel mee te bestellen bij de set:
Bekabeling (klik hier voor de opties) TFT monitor (tegen 125 euro meerprijs te bestellen) Premiumcamerapakket voor een vrije keuze uit alle camera's (klik hier voor dit pakket)
Wilt u de volledige gebruiksaanwijzing met screenshots, mogelijkheden en volledige specificaties ontvangen? Stuur ons dan een email en u ontvangt de downloadlink hiervoor!
Maak kennis met de vernieuwde lijn DVR Recorders van Calyzo, de premiumline V2.0 NL! De premium DVR recorders voldoen reeds aan alle maatstaven van de hedendaagse markt en toch hebben wij dit nog weer weten te verbeteren met de V2.0 NL.
De volgende vernieuwingen zijn te vinden op de V2.0 NL Premium DVR's:
Geheel Nederlandse interface in de recorder Volledige grafische interface voor een zeer eenvoudige bediening met een USB muis Alle formaten harde schrijven te plaatsen. Standaard al met 2TB en tegen meerprijs tot 2.5TB mogelijk Zeer klein formaat dus makkelijk te plaatsen en tevens zeer stil Speciale mobiele telefoon software meegeleverd, real live via alle gangbare mobiele telefoons inloggen incl. Iphone software. Nog betere opname en weergave van de beelden Easy backup. Afspeel software wordt altijd automatisch meegekopieerd op USB, DVD, HDD bij een back up van bestanden Zelf gebruikers aanmaken en hierbij alle functies voor de gebruiker zelf in te stellen Verbeterde internet interface, waardoor nog makkelijker via internet functies gewijzigd kunnen worden of beelden opgehaald of weergegeven kunnen worden. Bij een minimale afname van 5 stuks, kan uw logo vast in het beeld worden verwerkt Hieronder enkele kernpunten die onze premiumrecorders zowiezo al uniek maken: Viervoudige Backup: Via Externe DVD writer, via USB, via een SD card of via internet Realtime opname tot 400 frames per seconde Full resolution opname van 720x576 Full network aansturing; instellen, kijken, terugkijken en back up via internet 1TB geheugen met uitbreidmogelijkheid tot 2.5TB! Easy display, directe melding van beweging, inlog van buitenaf en opname in beeld Recorder is volledig met een muis te besturen, dus geen gedoe met een afstandbediening Plug and play, easy install. Makkelijk te installeren voor iedereen Ingebouwde quad processor (verspringing van beelden) met instelbare verversingstijd 4 audio ingangen en een audio uitgang Schema opname voor vakanties middels instelbare kalender Multi user internetview via software of direct via Internet browser overal ter wereld. Bewegingsdetectie met emailfunctie. Ontvang direct een foto in uw mailbox bij beweging. Inloggen via uw mobiele telefoon middels de WAP interface Tot 4 DVR recorders in 1 internetomgeving bekijkenKlik hier voor een volledige uitleg van dit systeem en alle mogelijkheden:
Lees meer.............
U kunt de benodigde camera's voor uw set naar eigen wens invullen. Klik onderstaand eerst op "in winkelwagen" en klik daarna op "Andere camera's selecteren bij dit pakket" om naar eigen wens de camera's te kiezen.Andere camera's selecteren bij dit pakket
(Prijs na landelijke subsidie € 1190,00)
Dit pakket biedt de totaaloplossing voor de camerabeveiliging binnen uw bedrijf. Het pakket bestaat uit de volgende onderdelen:
Maak kennis met de vernieuwde lijn DVR Recorders van Calyzo, de premiumline V2.0 NL! De premium DVR recorders voldoen reeds aan alle maatstaven van de hedendaagse markt en toch hebben wij dit nog weer weten te verbeteren met de V2.0 NL.
1x 8 kanaals Premium V2.0 NL DVR Recorder met 2000GB geheugen 8x Premium camera, Sony HAD CCD, 540 lijnen, varifocus 4 - 9 mm* 8x Toebehoren voor werking van het systeem; Adapters, ophangbeugels, schroeven* U heeft een vrije keuze uit al onze premiumcamera's. Tegen een kleine meerprijs levern wij Effio camera's bij uw systeem.
Eventueel mee te bestellen bij de set:
Bekabeling (klik hier om naar bekabeling te gaan) TFT monitor (klik hier om een monitor te bestellen)
Wilt u de volledige gebruiksaanwijzing met screenshots, mogelijkheden en volledige specificaties ontvangen? Stuur ons dan een email en u ontvangt de downloadlink hiervoor!
De volgende vernieuwingen zijn te vinden op de V2.0 NL Premium DVR's:
Geheel Nederlandse interface in de recorder Volledige grafische interface voor een zeer eenvoudige bediening met een USB muis Alle formaten harde schrijven te plaatsen. Standaard al met 1TB en tegen meerprijs tot 2.5TB mogelijk Zeer klein formaat dus makkelijk te plaatsen en tevens zeer stil Speciale mobiele telefoon software meegeleverd, real live via alle gangbare mobiele telefoons inloggen incl. Iphone software. Nog betere opname en weergave van de beelden Easy backup. Afspeel software wordt altijd automatisch meegekopieerd op USB, DVD, HDD bij een back up van bestanden Zelf gebruikers aanmaken en hierbij alle functies voor de gebruiker zelf in te stellen Verbeterde internet interface, waardoor nog makkelijker via internet functies gewijzigd kunnen worden of beelden opgehaald of weergegeven kunnen worden. Bij een minimale afname van 5 stuks, kan uw logo vast in het beeld worden verwerkt Hieronder enkele kernpunten die onze premiumrecorders zowiezo al uniek maken: Viervoudige Backup: Via Externe DVD writer, via USB, via een SD card of via internet Realtime opname tot 200 frames per seconde Full resolution opname van 720x576 Full network aansturing; instellen, kijken, terugkijken en back up via internet 1TB geheugen met uitbreidmogelijkheid tot 2.5TB! Easy display, directe melding van beweging, inlog van buitenaf en opname in beeld Recorder is volledig met een muis te besturen, dus geen gedoe met een afstandbediening Plug and play, easy install. Makkelijk te installeren voor iedereen Ingebouwde quad processor (verspringing van beelden) met instelbare verversingstijd 4 audio ingangen en een audio uitgang Schema opname voor vakanties middels instelbare kalender Multi user internetview via software of direct via Internet browser overal ter wereld. Bewegingsdetectie met emailfunctie. Ontvang direct een foto in uw mailbox bij beweging. Inloggen via uw mobiele telefoon middels de WAP interface Tot 4 DVR recorders in 1 internetomgeving bekijkenKlik hier voor een volledige uitleg van dit systeem en alle mogelijkheden:
Lees meer.............
U kunt de benodigde camera's voor uw set naar eigen wens invullen. Klik onderstaand eerst op "in winkelwagen" en klik daarna op "Andere camera's selecteren bij dit pakket" om naar eigen wens de camera's te kiezen.Andere camera's selecteren bij dit pakket
Maak kennis met de nieuwste lijn DVR Recorders van Calyzo, de premiumline! Alles wat tegenwoordig technisch mogelijk is met een DVR Recorder, kan met de premiumrecorder van Calyzo.
Hieronder enkele kernpunten die onze premiumrecorders zo uniek maken: Viervoudige Backup: Via Externe DVD writer, via USB, via een SD card of via internet Realtime opname tot 200 frames per seconde Full resolution opname van 720x576 Full network aansturing; instellen, kijken, terugkijken en back up via internet 500GB geheugen met uitbreidt mogelijkheid tot 2TB! Easy display, directe melding van beweging, inlog van buitenaf en opname in beeld Recorder is volledig met een muis te besturen, dus geen gedoe met een afstandbediening Plug and play, easy install. Makkelijk te installeren voor iedereen Ingebouwde quad processor (verspringing van beelden) met instelbare verversingstijd 4 audio ingangen en een audio uitgang Schema opname voor vakanties middels instelbare kalender Multi user internetview via software of direct via Internet browser overal ter wereld. Bewegingsdetectie met emailfunctie. Ontvang direct een foto in uw mailbox bij beweging. Inloggen via uw mobiele telefoon middels de WAP interface Tot 4 DVR recorders in 1 internetomgeving bekijkenDe premiumline recorders van Calyzo beschikken over Full network. Deze nieuwste technologie maakt het mogelijk om uw recorder bijna geheel te bedienen via internet overal ter wereld. Voor meer informatie over de Full network functie en zelf proberen klikt u hier: Ga naar Full network.
Opname van uw beveiligingscamera's via een stand alone DVR recorder. Deze 9 kanaals DVR kan 9 kanalen real-time opnemen en weergeven. U kunt de 9 kanalen op een goede kwaliteit (25fps) voor maximaal een maand (24uur/pd) lang opnemen, zonder er omkijken naar te hebben. Opname en weergave kan op hetzelfde moment. De DVR voorzien van een wachtwoord voor meerdere gebruikers. Op deze manier kan niemand de instellingen veranderen zonder het wachtwoord en heeft iederen in uw bedrijf zijn eigen rechten in het systeem. Het systeem start zichzelf weer op als het stroom uitvalt, met een auto protect functie. De bediening van de DVR is zeer eenvoudig en vergelijkbaar met een normale video recorder. Daarnaast is een afstandbediening meegeleverd voor de bediening, maar is de recroder ook met een muis te bedienen! Beelden kunnen worden teruggezocht op datum, tijd en camera. Een ideaal systeem voor horecabedrijven, kleine supermarkten en andere MKB, maar ook perfect voor de bewaking van uw huis. Het systeem wordt geleverd incl. 9 professionele Sonychip camera's, lensen, ophangbeugels, pluggen, schroeven en adapters. De specificaties van de camera's zijn te vinden in de categorie Beveiligingscamera's op onze site.
Het systeem beschikt over een aansluiting voor internet en een ingebouwde video server. Hierdoor kunnen de beelden via internet bekeken worden vanuit de hele wereld, gewoon via internet explorer. Via internet kunt u instellingen wijzigen, live beelden bekijken, opgenomen beelden terughalen en beelden back upen. Meer info over de internetmogelijkheden vindt u hier: Ga naar Full network
De DVR Recorder wordt geleverd incl. een 500GB harde schijf. Daarnaast beschikt de recorder over een VGA uitgang zodat een normaal TFT scherm als beeldscherm gebruikt kan worden (Deze wordt niet meegeleverd).
Heeft u een waarneming die u aan de politie moet overhandigen? Dan maakt u met 1 druk op de knop een back up van dit moment naar een DVD, USB stick, SD kaart of naar een PC. Ook kan de politie direct via internet inloggen in uw systeem en zelf de beelden direct downloaden! Het systeem is geheel plug en play en daardoor voor iedereen makkelijk te installeren. Het leggen van kabels is het enige wat moet worden gedaan! Hierna werkt het systeem direct!De recorder is zo in te stellen dat alleen bij beweging opnames morden gemaakt (bewegingsdetectie), dit is erg handig omdat dit direct een goed overzicht geeft van welke gebeurtenissen er waar en hoe laat hebben plaatsgevonden, bovendien bespaart het een hoop tijd en nutteloos film materiaal. De recorder is zelfs in staat om bij beweging direct een foto door te sturen naar uw email! Tijdens vakanties stelt u gewoon uw kalender in zodat het systeem dan ook doet wat hij moet doen.
Specificaties: 1) CPU: 32 bit DSP 2) HDD: 500GB harde schijf meegeleverd en opname via PC mogelijk 3) Operation systeem: RTOS 4) Video input: 9CH composiet (BNC) PAL systeem 5) Weergave: PAL: 200fps 6) Weergave mogelijkheid: 1 tot 9 beelden tegelijk 7) Monitor output: analog (BNC) / S-Video / ondersteunt 1-spot out (BNC) / VGA 8) Opname resolutie: PAL: 704 x 576, 352 x 288 9) Compressie methode: H.264 10) Opname modes: continu, bij beweging of via tijdschema 11) Opnameschema: instelbaar 24/7 per camera 12) Bewegingsdetectie: instelbaar per camera per gebied met emailfunctie 13) Sensor / camera / alarm I/O: M:N mapping 14) Audio input / output: 4 inputs / 1 output 15) Sensor / alarm: 4 inputs / 1 output 16) VGA output: 1 kanaal 17) P/T/Z besturing: RS-485 interface 18) Internet: 10 / 100 base-TX Ethernet (RJ-45), normale UTP aansluiting 19) Bediening: Alle functies via systeem, afstandbediening, muis of internet 20) Systeem herstel: bij stroomuitval, automatische reboot en herstel 21) Viervoudige back up: Via Externe DVD writer, via USB, via een SD card of via internet 22) Realtime opname tot 200 frames per seconde 23) Full resolution opname van 720x288 28) Plug and play, easy install. Makkelijk te installeren voor iedereen 29) Ingebouwde quad processor met instelbare verversingstijd 30) 4 audio ingangen en een audio uitgang 31) Schema opname voor vakanties middels instelbare kalender 32) Full network functie via Internet browser overal ter wereld.Klik hier voor de specificaties van de camera's
U kunt de benodigde camera's voor uw set naar eigen wens invullen. Klik onderstaand eerst op "in winkelwagen" en klik daarna op "Andere camera's selecteren bij dit pakket" om naar eigen wens de camera's te kiezen.
Andere camera's selecteren bij dit pakket
Weergegeven prijzen zijn excl. BTW
(Prijs na landelijke subsidie € 620,00)
Dit pakket biedt de totaaloplossing voor de camerabeveiliging binnen uw bedrijf. Het pakket bestaat uit de volgende onderdelen: Maak kennis met de vernieuwde lijn DVR Recorders van Calyzo, de premiumline V2.0 NL! De premium DVR recorders voldoen reeds aan alle maatstaven van de hedendaagse markt en toch hebben wij dit nog weer weten te verbeteren met de V2.0 NL.
1x 4 kanaals Premium V2.0 NL DVR Recorder met 1000GB geheugen 4x Premium camera, Sony HAD CCD, 540 lijnen, varifocus 4 - 9 mm* 4x Toebehoren voor werking van het systeem; Adapters, ophangbeugels, schroeven* U heeft een vrije keuze uit al onze premiumcamera's. Tegen een kleine meerprijs leveren wij Effio camera's bij uw systeem.
Eventueel mee te bestellen bij de set:
Bekabeling (klik hier om naar bekabeling te gaan) TFT monitor (klik hier om een monitor te bestellen)Wilt u de volledige gebruiksaanwijzing met screenshots, mogelijkheden en volledige specificaties ontvangen? Stuur ons dan een email en u ontvangt de downloadlink hiervoor!
De volgende vernieuwingen zijn te vinden op de V2.0 NL Premium DVR's:
Geheel Nederlandse interface in de recorder Volledige grafische interface voor een zeer eenvoudige bediening met een USB muis Alle formaten harde schrijven te plaatsen. Standaard al met 1TB en tegen meerprijs tot 2.5TB mogelijk Zeer klein formaat dus makkelijk te plaatsen en tevens zeer stil Speciale mobiele telefoon software meegeleverd, real live via alle gangbare mobiele telefoons inloggen incl. Iphone software. Nog betere opname en weergave van de beelden Easy backup. Afspeel software wordt altijd automatisch meegekopieerd op USB, DVD, HDD bij een back up van bestanden Zelf gebruikers aanmaken en hierbij alle functies voor de gebruiker zelf in te stellen Verbeterde internet interface, waardoor nog makkelijker via internet functies gewijzigd kunnen worden of beelden opgehaald of weergegeven kunnen worden. Bij een minimale afname van 5 stuks, kan uw logo vast in het beeld worden verwerkt Hieronder enkele kernpunten die onze premiumrecorders zowiezo al uniek maken: Viervoudige Backup: Via Externe DVD writer, via USB, via een SD card of via internet Realtime opname tot 100 frames per seconde Full resolution opname van 720x576 Full network aansturing; instellen, kijken, terugkijken en back up via internet 1TB geheugen met uitbreidmogelijkheid tot 2.5TB! Easy display, directe melding van beweging, inlog van buitenaf en opname in beeld Recorder is volledig met een muis te besturen, dus geen gedoe met een afstandbediening Plug and play, easy install. Makkelijk te installeren voor iedereen Ingebouwde quad processor (verspringing van beelden) met instelbare verversingstijd 4 audio ingangen en een audio uitgang Schema opname voor vakanties middels instelbare kalender Multi user internetview via software of direct via Internet browser overal ter wereld. Bewegingsdetectie met emailfunctie. Ontvang direct een foto in uw mailbox bij beweging. Inloggen via uw mobiele telefoon middels de WAP interface Tot 4 DVR recorders in 1 internetomgeving bekijkenKlik hier voor een volledige uitleg van dit systeem en alle mogelijkheden:
Lees meer.............
U kunt de benodigde camera's voor uw set naar eigen wens invullen. Klik onderstaand eerst op "in winkelwagen" en klik daarna op "Andere camera's selecteren bij dit pakket" om naar eigen wens de camera's te kiezen.Andere camera's selecteren bij dit pakket
Download fotos van uw digitale camera naar de computer via de USB aansluiting. Color: Black Lenght: 1.8m Connection: USB A female - Nikon 8pin male connection (UC-E6) Ook geschikt voor de onderstaande modellen:EPSONPhotoPC 850ZFUJIFinePix 100FinePix 20FinePix 40FinePix 480FinePix 50FinePix 5700FinePix 8000FinePix 8100FinePix A100FinePix A150FinePix A170FinePix A175FinePix A220FinePix A225FinePix A850FinePix A860FinePix F100FinePix F100fdFinePix F20FinePix F20fdFinePix F20seFinePix F30FinePix F30fdFinePix F31FinePix F31fdFinePix F40FinePix F40fdFinePix F45FinePix F45fdFinePix F460FinePix F47FinePix F470FinePix F47fdFinePix F480FinePix F50FinePix F50fdFinePix F60fdFinePix F650FinePix F70EXRFinePix F75EXRFinePix J10FinePix J100FinePix J100wFinePix J110FinePix J110wFinePix J12FinePix J120FinePix J120wFinePix J15FinePix J150FinePix J150wFinePix J15fdFinePix J20FinePix J210FinePix J250FinePix J26FinePix J27FinePix J30FinePix J35FinePix J50FinePix J50fdFinePix S1000FinePix S1000fdFinePix S1500fdFinePix S2000FinePix S2000fdFinePix S2000HDFinePix S5700FinePix S5800FinePix S700FinePix S800FinePix S8000FinePix S8000fdFinePix S8100FinePix S8100fdFinePix Z10FinePix Z100FinePix Z100fdFinePix Z10fdFinePix Z20FinePix Z200FinePix Z200fdFinePix Z20fdFinePix Z250fdFinePix Z30FinePix Z30fdFinePix Z31FinePix Z33FinePix Z33fdFinePix Z33swFinePix Z33wpFinePix Z35FinePix Z37FinePix Z5FinePix Z50fdKONICA-MINOLTADiMAGE A200DiMAGE E323DiMAGE E500DiMAGE X1 CradleDiMAGE X50DiMAGE X60DiMAGE Z10DiMAGE Z20DiMAGE Z3DiMAGE Z5DiMAGE Z6Dynax 5DDynax 7DMaxxum 5DMaxxum 7DNIKONCoolpix 2100Coolpix 2200Coolpix 3100Coolpix 3200Coolpix 3700Coolpix 4100Coolpix 4200Coolpix 4600Coolpix 4800Coolpix 5200Coolpix 5600Coolpix 5900Coolpix 7600Coolpix 7900Coolpix 8400Coolpix 8800Coolpix L1Coolpix L10Coolpix L100Coolpix L11Coolpix L12Coolpix L14Coolpix L15Coolpix L16Coolpix L18Coolpix L19Coolpix L2Coolpix L20Coolpix L3Coolpix L4Coolpix L5Coolpix L6Coolpix P1Coolpix P2Coolpix P3Coolpix P4Coolpix P50Coolpix P5000Coolpix P5100Coolpix P60Coolpix P6000Coolpix P80Coolpix P90Coolpix S10Coolpix S1000pjCoolpix S200Coolpix S210Coolpix S220Coolpix S230Coolpix S4Coolpix S500Coolpix S510Coolpix S520Coolpix S560Coolpix S570Coolpix S600Coolpix S620Coolpix S630Coolpix S640Coolpix S70Coolpix S710Coolpix S9D5000OLYMPUSFE150 / FE-150FE160 / FE-160FE170 / FE-170FE180 / FE-180FE190 / FE-190FE20 / FE-20FE210 / FE-210FE220 / FE-220FE230 / FE-230FE235 / FE-235FE240 / FE-240FE250 / FE-250FE26 / FE-26FE270 / FE-270FE280 / FE-280FE290 / FE-290FE300 / FE-300FE3000 / FE-300FE3010 / FE-3010FE310 / FE-310FE320 / FE-320FE340 / FE-340FE350 / FE-350FE360 / FE-360FE370 / FE-370FE4000 / FE-4000FE4010 / FE-4010FE45 / FE-45FE46 / FE-46FE47 / FE-47FE5000 / FE-5000FE5010 / FE-5010FE5020 / FE-5020Mju 7010Stylus �-5000Stylus 7010Stylus 7020Stylus-7010Stylus-7020T100 / T-100X-15X-730X-785X-790X-795X-800X-820X-835X-845X960 / X-960PANASONICLumix DMC-DZ15Lumix DMC-FS15Lumix DMC-FS20Lumix DMCFS20SLumix DMCFS3 / DMC-FS3Lumix DMC-FS3ALumix DMC-FS3PLumix DMC-FS3SLumix DMC-FS5Lumix DMC-FS5KLumix DMC-FS5RLumix DMC-FS5SLumix DMC-FS6Lumix DMC-FS7Lumix DMCFX01 / DMC-FX01Lumix DMC-FX01EBLumix DMC-FX01EELumix DMC-FX01EFLumix DMC-FX01EGLumix DMC-FX01EGMLumix DMC-FX01GCLumix DMC-FX01GDLumix DMC-FX01GKLumix DMC-FX01GNLumix DMC-FX01GTLumix DMCFX01P / DMC-FX01PLumix DMC-FX01PLLumix DMC-FX01PPLumix DMC-FX01SLumix DMC-FX01SGLumix DMCFX07 / DMC-FX07Lumix DMCFX07K / DMC-FX07KLumix DMCFX07PP / DMC-FX07PPLumix DMC-FX07RLumix DMCFX07T / DMC-FX07TLumix DMC-FX10Lumix DMC-FX100Lumix DMCFX100P / DMC-FX100PLumix DMC-FX12Lumix DMC-FX15Lumix DMC-FX150Lumix DMC-FX180Lumix DMC-FX2Lumix DMCFX3 / DMC-FX3Lumix DMC-FX30Lumix DMC-FX33Lumix DMC-FX35Lumix DMC-FX35ALumix DMC-FX35KLumix DMC-FX35SLumix DMC-FX36Lumix DMC-FX37Lumix DMC-FX38Lumix DMCFX50 / DMC-FX50Lumix DMCFX500 / DMC-FX500Lumix DMCFX50PP / DMC-FX50PPLumix DMC-FX520Lumix DMC-FX55PANASONIC continuedLumix DMC-FX55PLumix DMC-FX580Lumix DMC-FX7Lumix DMC-FX8Lumix DMC-FX9Lumix DMC-FZ1Lumix DMC-FZ10Lumix DMC-FZ15Lumix DMC-FZ18Lumix DMC-FZ2Lumix DMC-FZ20Lumix DMC-FZ25Lumix DMC-FZ28Lumix DMC-FZ3Lumix DMC-FZ30Lumix DMC-FZ30EBLumix DMC-FZ30EGLumix DMC-FZ30EGMLumix DMC-FZ30GCLumix DMC-FZ30GDLumix DMC-FZ30GKLumix DMC-FZ30GNLumix DMC-FZ30GTLumix DMCFZ30K / DMC-FZ30KLumix DMC-FZ30PLLumix DMC-FZ30PPLumix DMC-FZ30SLumix DMC-FZ30SGLumix DMC-FZ4Lumix DMC-FZ5Lumix DMCFZ50 / DMC-FZ50Lumix DMCFZ7 / DMC-FZ7Lumix DMC-FZ7EBLumix DMC-FZ7EELumix DMC-FZ7EFLumix DMC-FZ7EGLumix DMC-FZ7EGMLumix DMC-FZ7GCLumix DMC-FZ7GDLumix DMC-FZ7GKLumix DMC-FZ7GNLumix DMC-FZ7GTLumix DMC-FZ7PLLumix DMCFZ7PP / DMC-FZ7PPLumix DMC-FZ7SLumix DMC-FZ7SGLumix DMC-FZ8Lumix DMC-G1Lumix DMC-L10Lumix DMC-L10KLumix DMC-L10KEB/KLumix DMC-LS1Lumix DMC-LS2Lumix DMC-LS2EBLumix DMC-LS2EELumix DMC-LS2EFLumix DMC-LS2EGLumix DMC-LS2EGMLumix DMC-LS2GCLumix DMC-LS2GKLumix DMC-LS2GNLumix DMC-LS2GTLumix DMC-LS2PLLumix DMCLS2PP / DMC-LS2PPLumix DMC-LS2SGLumix DMC-LS3Lumix DMC-LS3EFLumix DMC-LS3EGLumix DMC-LS3EGMLumix DMC-LS6Lumix DMC-LS60Lumix DMC-LS65Lumix DMC-LS70Lumix DMC-LS75Lumix DMC-LS80Lumix DMC-LS85Lumix DMCLX1 / DMC-LX1Lumix DMC-LX1KLumix DMCLX1PPLumix DMC-LX1SLumix DMCLX2Lumix DMC-LX2Lumix DMC-LX3Lumix DMC-LZ1Lumix DMC-LZ10Lumix DMC-LZ10KLumix DMC-LZ10SLumix DMC-LZ2Lumix DMCLZ3 / DMC-LZ3Lumix DMC-LZ3EBLumix DMC-LZ3EELumix DMC-LZ3EFLumix DMC-LZ3EGLumix DMC-LZ3EGMLumix DMC-LZ3GCLumix DMC-LZ3GKLumix DMC-LZ3GNLumix DMC-LZ3GTLumix DMC-LZ3PLLumix DMC-LZ3PPLumix DMCLZ4 / DMCLZ4Lumix DMC-LZ4EBLumix DMC-LZ4EGLumix DMCLZ4PP / DMC-LZ4PPLumix DMCLZ5 / DMC-LZ5Lumix DMC-LZ5EBLumix DMC-LZ5EELumix DMC-LZ5EFLumix DMC-LZ5EGLumix DMC-LZ5EGMLumix DMC-LZ5GCLumix DMC-LZ5GKLumix DMC-LZ5GNLumix DMC-LZ5GTLumix DMC-LZ5PLLumix DMC-LZ5PPLumix DMC-LZ5SELumix DMC-LZ5SEPPLumix DMC-LZ5SGLumix DMC-LZ6Lumix DMC-LZ7Lumix DMC-LZ8Lumix DMC-LZ8KLumix DMC-LZ8SLumix DMC-SD4090Lumix DMC-SD5000Lumix DMCTZ1 / DMC-TZ1Lumix DMC-TZ10Lumix DMC-TZ11Lumix DMC-TZ15Lumix DMCTZ1A / DMC-TZ1ALumix DMC-TZ1KLumix DMCTZ1PP / DMC-TZ1PPLumix DMC-TZ1SLumix DMC-TZ2Lumix DMC-TZ24Lumix DMCTZ3 / DMC-TZ3Lumix DMCTZ3SLumix DMC-TZ4Lumix DMC-TZ4KLumix DMC-TZ4SLumix DMC-TZ5Lumix DMC-TZ50Lumix DMC-TZ50PLumix DMC-TZ5APanasonic Audio SVSD300GCPanasonic Audio SVSD350VGHPENTAX*ist DL*ist DS*ist DS2K100DK100D SuperK10DK110DK2000 (K-m)K200DK20DK-7Optio 33WROptio 33WROptio 430RSOptio 43WROptio 43WROptio 450Optio 450Optio 50Optio 50Optio 50LOptio 550Optio 550Optio 555Optio 555Optio 60Optio 60Optio 750ZOptio 750ZOptio A10Optio A10Optio A20Optio A20Optio A30Optio A30Optio A40Optio E10Optio E10Optio E20Optio E30Optio E40Optio E50Optio E60Optio E70LOptio E75Optio E80Optio L20Optio L50Optio M10Optio M10Optio M20Optio M20Optio M30Optio M30Optio M4Optio M40Optio M50Optio M60Optio MXOptio MXOptio MX4Optio P70Optio P80Optio SOptio SOptio S10Optio S12Optio S4Optio S4Optio S40Optio S40Optio S45Optio S45Optio S4iOptio S4iOptio S50Optio S50Optio S55Optio S55Optio S5iOptio S5iOptio S5nOptio S5nOptio S5zOptio S5ZOptio S6Optio S6Optio S60Optio S60Optio S7Optio S7Optio SVOptio SVOptio SViOptio T10Optio T10Optio T20Optio T20Optio T30Optio T30Optio V10Optio V20Optio W10Optio W10Optio W20Optio W20Optio W30Optio W30Optio W60Optio W80Optio WPOptio WPOptio WPiOptio WS80Optio XOptio XOptio X70Optio Z10SANYOXacti VPC-E6Xacti VPC-E7Xacti VPC-E60Xacti VPC-S6Xacti VPC-S7Xacti VPC-S60Xacti VPC-S500SONYCybershot DSC-W190Cybershot DSC-W180Cybershot DSC-W190RAlpha DSLR-A100Alpha DSLRA100K / DSLR-A100KAlpha DSLR-A200Alpha DSLR-A200KAlpha DSLR-A230Alpha DSLR-A300Alpha DSLR-A330Alpha DSLR-A350Alpha DSLR-A380Alpha DSLR-A500Alpha DSLR-A550Alpha DSLR-A700Alpha DSLR-A850Alpha DSLR-A900Deze kabel is geschikt ter vervanging van de originele partnummers:Nikon UC-E6Nikon UCE6Nikon Part # YM080315Fuji P10NA00990AFuji Type IVFZ06584-100FZ06584-101FZ06585-101K1HA08CD0007K1HA08CD0013K1HA08CD0019Konica Minolta USB-2 Konica Minolta USB-3Olympus 202059Olympus CB-USB7Part P645-083-1355Pentax I-USB17Pentax I-USB33Pentax I-USB7Sony 183306211Sony 183431111Sony 319698101Sony 35618-FF-147USBMB8P-ROUND06
Photoshop
CS5 software redefines digital imaging with a strong focus on photography; breakthrough capabilities for superior image selections, image retouching, and realistic painting; and a wide range of workflow and performance enhancements.
Get precise results when making complex selections, remove any image element and see the space fill in almost magically, and create stunning photo-realistic or surreal HDR images.
Complex selections made easy
Select specific areas within an image in fewer clicks. Easily select intricate image elements, such as hair; eliminate background color around selection edges; and automatically vary selection edges and perfect masks using new refinement tools.
Content-Aware Fill
Remove any image detail or object and watch as Content-Aware Fill magically fills in the space left behind. This breakthrough technology matches lighting, tone, and noise so it looks as if the removed content never existed.
Superior HDR imaging
Create photo-realistic or surreal HDR images with unprecedented speed, control, and accuracy. Get better-than-ever results thanks to automatic ghost removal and greater control with tone mapping and adjustments, and even give single-exposure photos the look of HDR.
Extraordinary painting effects
Easily change a photograph into a painting or create unique artistic effects with the Mixer Brush, which offers on-canvas color blending, and Bristle Tips, which let you create lifelike, textured brush strokes.
Automatic lens correction
Save time with automatic correction of lens distortions, chromatic aberration, and vignetting. Photoshop CS5 uses an image file's EXIF data to make precise adjustments based on the type of camera and lens you used.
Better media management
Easily manage media with more flexible batch renaming, and access your assets in the context of what you're working on by using the customizable Adobe Mini Bridge panel in Photoshop.
Streamlined creative reviews
Use Adobe CS Review, part of new Adobe CS Live online services,* to initiate a more secure review without leaving Photoshop. Reviewers can add comments to your images from their browsers, and you see the comments appear automatically on your screen. CS Live services are complimentary for a limited time.
Easier UI management
Use the collapsible Workspace Switcher to quickly navigate and choose among favorite UI configurations. Live workspaces automatically record your UI changes so panels will remain in place even if you switch away for a while.
What is Adobe Premiere Pro?
Adobe
Premiere
Pro CS5.5 software lets you edit faster with true native format support. Get breakthrough performance on workstations and laptops; streamline collaboration; and boost productivity with an efficient, robust, cross-platform editing workflow.
Experience industry-leading performance
Work smoothly with the enhanced 64-bit Adobe
Mercury Playback Engine, now on workstations and laptops; GPU acceleration; and the ability to adjust playback resolution in the Source or Program Monitor in Adobe Premiere
Pro CS5.5 software.
Mercury Playback Engine
Get amazing performance from the Mercury Playback Engine on both desktops and laptops (Windows
and Mac OS). Natively 64-bit and optimized for modern CPUs, Mercury delivers astounding performance with or without GPU acceleration.
Variable playback resolution
Edit high-resolution projects on lower spec computers with the ability to adjust the playback resolution in the Source or Program Monitor. Separate Playback and Pause resolutions give you more control over monitoring.
GPU-accelerated effects
Speed up your creative workflow by seeing the results of even more effects without having to render them first, thanks to GPU acceleration and the enhanced 64-bit Adobe Mercury Playback Engine, now on workstations and laptops.
Video preview format and resolution settings
Adjust the video preview format and resolution to promote smooth playback when your computer's hardware is unable to play back the full sequence frame size in real time.
Work in real time
Take advantage of GPU-accelerated effects to control frame rate, aspect ratio, field order, alpha channels, pull-down removal, real-time keying, time remapping, transitions, and more.
GPU-accelerated Ultra keyer
Easily achieve complex keys on challenging footage with GPU-accelerated Ultra
, which typically keys in real time (using NVIDIA
graphics cards, depending on system configuration and file types).
GPU-accelerated media processing
Correct issues caused by mismatched media, media with varying types of alpha channels, and more with GPU-accelerated effects that compensate for differences in frame rate, field order, and pixel aspect ratio.
Speed change effects
Create high-quality slow motion or fast motion and play clips backwards using GPU-accelerated time remapping, speed change, and backwards effects.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Field options
Eliminate unwanted interlacing artifacts with GPU-accelerated effects that give you control over field order, interlacing, deinterlacing, and flicker removal.
GPU-accelerated transitions
Transition between clips using Additive Dissolve to add the color information from clip B to clip A, and then subtract the color information of clip A from clip B. Get a film-like transition with Film Dissolve.
Blur effects
Quickly add blur to large areas of your clips using GPU-accelerated Fast Blur, create the illusion of motion using Directional Blur, and see the results in real time thanks to GPU acceleration.
Streamline production with a native file-based workflow
Maximize quality and eliminate time-consuming transcoding and rewrapping. Adobe Premiere Pro provides native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced RED R3D and Canon XF support.
Native RED EPIC camera support
Edit up to 5K footage shot from RED EPIC
cameras without transcoding or rewrapping, and access RED parameters directly from the enhanced Source Settings dialog box. Download the RED EPIC camera importer for native support in CS5.5.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
, and the latest Color Science and Firmware for RED ONE
cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Extensive native file-based workflow
Eliminate time-consuming transcoding and rewrapping and maximize quality thanks to native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, D300s, and D3000 DSLR cameras. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping, allowing you to start working immediately.
Enhanced Canon XF native support
Preview Canon XF footage in the Media Browser panel and utilize camera metadata throughout your preproduction and post-production workflows. Spanned clips are displayed as a single asset in the Media Browser, reducing clutter.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving. Choose from DVCPRO HD and AVC-Intra codecs.
Tapeless HDV support
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVCHD support
Import and natively edit AVCHD content from Sony, Panasonic, and Canon cameras without transcoding or rewrapping the content. Use the Media Browser to browse clips and view metadata
including metadata from Panasonic AVCCAM cameras.
Media Browser panel for file-based workflows
Easily find content on tapeless cameras by viewing all your clips, along with a customizable view of the metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon DSLR cameras, including the EOS 5D Mark II and 7D, using a complete, easy-to-use toolset. Native format support eliminates transcoding and rewrapping, preserving the source file's pristine quality.
Panasonic P2 native support
Natively edit content from Panasonic cameras in DVCPRO, DVCPRO HD, and AVC-Intra formats and across multiple P2 cards. View metadata in the Media Browser, and edit content from the P2 card or transfer it to hard disk for best performance.
Broad Sony XDCAM native format support
Edit all types of Sony XDCAM content natively, without rewrapping or transcoding. Browse and organize clips using the Media Browser. Edit from the SxS card via the camera or card reader (XDCAM EX only), or transfer to hard disk for best performance.
DPX file import and export
Work with DPX frame sequences that include embedded timecode as footage in Adobe Premiere Pro CS5.5. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow supports both 50Mbps and 100Mbps bitrates at all common frame rates. The Media Browser lets you view clips directly.
Native support for JVC ProHD
Edit footage shot on JVC ProHD video cameras and stored as either MOV or MP4 files. Native support eliminates time-consuming transcoding or rewrapping and preserves the original pristine quality of the source footage.
Take advantage of broad format support
Import and export major video, audio, and graphic file formats, and combine them all in the Adobe Premiere Pro timeline. Adobe Premiere Pro also supports a wide range of hardware, so you can build the editing system that meets your needs and budget.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
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, and the latest Color Science and Firmware for RED ONE
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cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Mixed-format timeline support
Combine content from all supported formats in the Adobe Premiere Pro timeline without restrictions. High-quality scaling and flexible footage interpretation rules make it easy to produce exceptional output from mixed-format footage.
Support for all major media types
Import and export major video, audio, and graphic file formats, including FLV, F4V, MPEG-2, QuickTime, Windows Media, AVI, BWF, AIFF, JPEG, PNG, PSD, TIFF, and more.
DPX file support
Use native DPX file import and export to create a 10-bit uncompressed DI workflow. Timecode is preserved throughout import, editing, and export.
Still-image file support
Import still-image files in major formats, including PSD, BMP, GIF, EPS, JPEG, PCX, PICT, PNG, and TIFF. Export in BMP, GIF, TARGA, and TIFF formats.
ASIO compatibility
Record and play back audio through any multichannel audio card or hardware that supports the industry-standard ASIO protocol.
Video hardware support
Choose from a wide range of capture cards and other hardware to build the HD, SD, or DV editing system that meets your needs and budget.
Enjoy the convenience of Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe applications, including Adobe After Effects
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, Photoshop
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Extended, Illustrator
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, Flash
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Catalyst
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, Adobe Audition
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, and Adobe OnLocation
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Unparalleled Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe Creative Suite
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Production Premium components
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? Adobe After Effects, Photoshop Extended, Illustrator, Flash Catalyst, and, new in CS5.5, Adobe Audition.
Roundtrip workflows with Adobe Audition
Get a fast, flexible roundtrip audio workflow with Adobe Audition
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CS5.5 software. Pass individual audio clips and multitrack mixes or complete video sequences between Adobe Premiere Pro CS5.5 and Adobe Audition for editing and sweetening.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service,1,2 into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Adobe OnLocation integration
Record SD and HD video to hard disk and log metadata while shooting using Adobe OnLocation
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. Transfer content directly to Adobe Premiere Pro, maintaining all metadata and clip information, including in and out points set in Adobe OnLocation.
Dynamic Link
Use Adobe Dynamic Link to open sequences "live" in Adobe Encore
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software without rendering first. Any changes made in Adobe Premiere Pro are automatically reflected in Encore. Native 64-bit support improves Dynamic Link performance.
Adobe After Effects integration
Drag and drop or copy and paste clips and timelines between Adobe Premiere Pro and After Effects. Open complete Adobe Premiere Pro projects, including nested sequences, in After Effects.
Extensive Adobe Photoshop integration
Import Photoshop files that contain video without rendering them first. Control how they look by choosing which layers to import and how to import them. Apply keyframeable Photoshop blend modes to clips on the timeline.
Group clip transfer
Transfer groups of clips to After Effects using a single command. Adobe Premiere Pro re-creates the structure of your clips in an After Effects composition and then imports the composition into the timeline using Dynamic Link.
Adobe Illustrator integration
Open Illustrator files in Adobe Premiere Pro. When you scale an image in Adobe Premiere Pro, the image is continuously rasterized, so image quality remains pristine.
Direct export from Adobe Premiere Pro
Save time by exporting media directly from Adobe Premiere Pro without first adding it to the Adobe Media Encoder queue.
Achieve creative excellence
Realize your creative vision with Adobe Premiere Pro CS 5.5, taking advantage of real-time stereoscopic 3D editing, support for closed captioning, time remapping, precise keyframe controls, and more.
Closed-captioning support
Play back and display 608 and 708 closed captions, synced to your video sequence and viewable in the Program Monitor.
Real-time steroscopic 3D editing
Edit 3D content in real time thanks to 64-bit performance and world-class integration with CineForm Neo 3D, which provides a smoother workflow than Final Cut Pro.
Multicam editing
View multiple-camera shoot tracks, easily sync via timecode, and edit by switching between tracks in real time. Rerecord sections of your edit, make fine editing adjustments, and adjust color across multiple shots, even after editing.
Time remapping
Use high-quality slow motion to create dramatic effects that focus on the action. With a streamlined, on-clip interface, the time remapping feature makes it easy to speed up, slow down, reverse, and hold frames with precision.
Precise keyframe controls
Control audio and video effect parameters using comprehensive keyframe controls. Get precise control using Bezier handles to finesse the shape of parameter curves.
Robust color-correction tools
Use primary and secondary color-correction tools, and see results instantly with GPU acceleration. Match shots; change colors; correct exposure; and modify highlights, midtones, and shadows across clips, sequences, or entire projects.
Integrated titling
Create sophisticated text and graphics titles from scratch, professionally designed templates, or user-defined styles.
Auto-color adjustment
Instantly improve your video image quality with effects like those in Adobe Photoshop, including Auto Color, Auto Contrast, and Shadows/Highlights.
Lighting Effects
Add a spot, directional, or omni light to your video footage. Create multiple lights to see different looks on different parts of a scene.
Animated track-matte workflow
Easily create traveling mattes by applying effects and animation to individual track-matte clips.
Clip and timeline effects
Apply powerful, built-in visual and motion effects to clips. Create custom effects presets. Increase your options with an extensive range of After Effects compatible plug-ins. Get GPU-accelerated real-time feedback for many effects.
Audio keyframing
Create smooth audio crossfades and other audio changes with a minimal number of keyframes. By creating fewer audio keyframes over a given time interval, Adobe Premiere Pro simplifies the editing process.
Collaborate through third-party workflow integration
Work in an open, extensible production environment. Write scripts collaboratively. Efficiently gather feedback from clients and teammates. Easily exchange projects with Final Cut Pro and Avid software, as well as other Adobe software.
Streamlined collaboration
Collaborate more easily thanks to enhanced integration with Final Cut Pro and Avid Media Composer, and with Adobe CS Review, a separate CS Live online service. Save time by background encoding files for CS Review using new presets in Adobe Media Encoder.
Native editing of QuickTime formats
Import and edit all the popular QuickTime formats natively (including Apple ProRes and MOV files captured by Canon 5D and 7D cameras), with full access to clip metadata
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Final Cut Pro project import and export
Roundtrip projects between Adobe Premiere Pro and Final Cut Pro without conversion or re-rendering, preserving commonly used effects and transitions. Bring the creative benefits of Adobe tools to any post-production workflow.
Avid NLE project AAF import and export
Use AAF import and export to share projects with Avid NLEs without conversion or re-rendering, preserving commonly used effects and transitions. You can also import and export CMX3600 format Edit Decision Lists (EDLs).
OMF file export
Export your audio in Open Media Framework (OMF) format for interchange with audio workstations. Then import the final audio back into Adobe Premiere Pro and use direct audio channel routing to preserve the final mix.
Get better output faster with Adobe Media Encoder
Create output more quickly for any video format or device, including web, phone, and tablet, with 64-bit Adobe Media Encoder. Use intuitive presets and context menus to configure multiple outputs from Adobe Premiere Pro and batch encode.
Fast, reliable multiscreen delivery
Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing.
Easy presets for popular devices and formats
Save time and encode content more easily by using Adobe Media Encoder CS5.5 presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
Match Sequence Settings
Make encoding settings match the original Adobe Premiere Pro source sequence or After Effects composition. With Match Sequence Settings, you save time by not having to recheck all encoding options even when you aren't changing them.
Drag-and-drop encoding
Drag and drop sequences from Adobe Premiere Pro and compositions from After Effects
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directly into Adobe Media Encoder CS5.5, which can then encode them immediately. This saves many steps compared with Adobe Media Encoder CS5.
Enhanced watch folder workflow
Set up Adobe Media Encoder CS5.5 to watch a folder. Automatically encode files arriving in the folder to a format you specify. Multiple watch folders can encode to different formats and to the same destination folder.
Improved user interface and workflow
Take advantage of a clearer user interface, new presets, and new contextual menus that improve your Adobe Media Encoder workflow. Expand Queue items to check formats, progress, and encoding settings. Monitor job status in the new Watch Folders section.
Metadata output templates
Preserve metadata in Adobe Media Encoder output to make production more efficient and enhance usability, or clear metadata before output to protect confidential production data before distributing content to external audiences.
Bitrate based on source frame size
Help ensure video looks great on screens of all sizes by automatically setting the encoding bitrate level based on source (instead of destination) frame dimensions in Adobe Media Encoder for selected Adobe Flash and Blu-ray Disc output formats.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Crop and trim control
Easily crop the frame size and trim the in and out points of a clip or sequence in Adobe Media Encoder.
Automatic still image sequencing
Automatically encode still images as a video sequence. When you import a numbered series of still images into Adobe Media Encoder CS5.5, it intelligently recognizes them as stills and offers to encode them as one video sequence.
XMP cue points from metadata
Add XMP cue points in Adobe Media Encoder read from metadata in FLV or F4V source files, as well as manually prior to encoding.
Audible alerts when jobs are completed
Hear alerts when Adobe Media Encoder finishes jobs in the background, so you can keep working without having to watch the queue. Different sounds indicate whether jobs have been completed successfully or with errors.
Settings Summary
Get more visual feedback using the Settings Summary dialog box in Adobe Media Encoder. Show information for output and source content, and use tool tips to see the output settings for items being encoded.
Adobe Media Encoder CS Review presets
Save time with new Adobe Media Encoder presets that are optimized for output to Adobe CS Review, a CS Live online service.
Benefit from an end-to-end metadata workflow
Make the most of your metadata, whether you
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?re turning spoken dialogue into written transcripts with RapidFind, synchronizing scripts to footage, or finding clips with human faces. Customize the way metadata is displayed to match your workflow.
Speech Analysis
Turn spoken dialogue into timecode-accurate transcripts. Use RapidFind to jump to a specific area by searching for keywords within the dialogue, or even cut video based on the transcript. Reference scripts, such as an Adobe Story script, increase accuracy.
Synchronized footage
Use Speech Analysis to synchronize your scripts to footage, and then edit based on the dialogue transcript. Download Speech Analysis Models that allow you to convert spoken words into text from many languages.
Face detection
Rapidly find interview sound bites without having to play through each clip in your project. Run the Content Analysis process on clips in your project, and then use the search tool to find clips with human faces in them.
Metadata views in the Project panel
Get immediate access to metadata that is important to your production. Customize and save the way XMP metadata is displayed in the Project panel, with control over individual fields and the ability to import custom metadata schemas.
Metadata panel
View and edit metadata for selected items using the Metadata panel. Control how individual fields are displayed, customize schemas, apply changes to selected files, and save configurations for later use. Locate metadata fast with RapidFind.
Be more productive thanks to an efficient metadata-driven workflow enabled by Adobe OnLocation
Take control of your footage with powerful shot logging and management features and the fast, intuitive Adobe OnLocation interface. Easily place comment markers during recording, and manage metadata across assets.
File browsing from disk
Find the files you need quickly by opening any supported media files directly in the Adobe OnLocation Monitor window. Play and scrub files, and add in and out points using the fast, intuitive Adobe OnLocation interface.
Easy access to Take and Shot recording
Switch between Take and Shot recording modes using a dedicated control in the Shot List that provides immediate visual confirmation of the current mode.
Custom metadata schemas
Promote consistent logging by multiple users, and across productions, by importing precreated metadata schema files that include specific field values.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete Shot Lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Tapeless recording and logging
Use the powerful logging options in Adobe OnLocation with tapeless cameras: Tell Adobe OnLocation which shot is recording and log comments. When the tapeless clips are imported, the information is automatically merged.
Easy comment marker placement
Help ensure the accuracy of comment markers you make during recording by dragging and dropping them or by entering exact timecode values. This makes it easy to review specific parts of the recording while still at the shoot.
Timesaving XMP metadata
Speed up your post-production workflow with metadata acquired during preproduction and production.
Speed up video capture and editing with Adobe OnLocation
Accomplish more while you
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?re recording or importing footage. Log live action accurately while recording, and analyze imported files quickly. Check the contents of tapeless camera media without importing it, and browse project contents in the Media Browser.
Professional on-set monitoring
Maximize camera image quality during shoots by using Adobe OnLocation to quickly calibrate your camera, check levels, and monitor signals. The virtual waveform monitor and vectorscope help you avoid problems and improve quality.
Imported file scan and analysis
Analyze imported files with the same alert system used during live disk recording. Adobe OnLocation quickly scans imported media for problems with audio pops and clipping and video overbrights.
TurboComments
While recording, add frequently used words
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? with a single key press to log live action accurately and efficiently. Adobe OnLocation lets you store up to nine comments with shortcuts for timecode-accurate recall.
Comment marker list
View and edit the comment markers for each clip in your project using a sortable list view that makes it easy to find specific logged issues and view them in the Adobe OnLocation Monitor window.
Poster frames
Find clips visually more efficiently by assigning a poster frame for each clip.
Camera browsing without importing
Use Adobe OnLocation to check the contents of file-based camera media without having to copy to the hard drive or import content into the Adobe OnLocation project.
Project browsing in the Media Browser
Find media used in Adobe OnLocation projects without opening the projects. View the project contents in the Media Browser as if the project were a folder of media, and then drag and drop files directly into the current project.
File-based camera support
Work with tapeless cameras using all the Adobe OnLocation
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capabilities for on-set logging and clip analysis. Import Sony XDCAM, XDCAM HD, XDCAM EX, Panasonic P2, AVCHD, AVC-Intra, and HDV media without transcoding or rewrapping.
Timecode-accurate playhead placement
Position the playhead exactly where you need it using timecode controls that allow scrubbing of timecode or direct entry of specific values.
Audible playback while scrubbing
Find the section you need more quickly by listening to audio during scrubbing and frame advance.
Recording and logging without wires
Add comments and metadata to clips being recorded on a tapeless camera that
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Sub-project export
Export the takes that are tagged "wanted" in the Adobe OnLocation Shot List. Access the sub-project's folder from the Media Browser panel in Adobe Premiere Pro. Clips with in and out points form a rough cut when added to a sequence.
Convenient missing media relinking
Reconnect broken file references in your Adobe OnLocation project quickly and easily.
Shot List publishing
Keep everyone up to date during production by publishing your Adobe OnLocation Shot List as a CSV file that can be viewed on a variety of software and devices, including iPod touch and iPhone.
Direct-to-disk recording
Bypass tape completely during shooting with Adobe OnLocation. Connect your camera to your laptop and start recording directly to hard disk. Review footage immediately, and then quickly bring it into Adobe Premiere Pro for editing.
Realize your vision with powerful Encore authoring tools
Send Adobe Premiere Pro projects directly to Adobe Encore without rendering. In Encore, efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project. Use flowcharts to define and view the navigation of your project.
Integrated search for web DVD titles
Offer viewers a more engaging experience with the ability to search by keyword within a web DVD. Encore uses metadata from speech analysis, subtitles, and menu and button names to make web DVD titles automatically searchable.
Single project, multiformat delivery
Efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single Encore project file. With support for pop-up menus and subtitles, viewers of web DVD titles enjoy all the benefits of the Blu-ray experience delivered online.
Dynamic Link integration
Send your Adobe Premiere Pro projects directly to Encore without rendering first. Changes in the timeline are reflected immediately in Encore thanks to Adobe Dynamic Link.
Flowchart
Define and view the navigation of your DVD, Blu-ray Disc, and web DVD projects by using a visual flowchart representation of all points and links. Independent variable zoom functionality streamlines your authoring workflow.
Adobe Photoshop integration
Create DVD and Blu-ray Disc menus in the Photoshop file format using technology built into Encore. Edit menus in Photoshop and see your changes instantly in your Encore project.
Sleek interface for web DVD titles
Create web DVDs that have a sleek playback interface, offering easy-to-use playback controls plus the option to watch HD video in full-screen mode.
Background transcoding
Work more efficiently when transcoding files. Adobe Media Encoder transcodes files in the background, keeping Encore free to focus on authoring tasks. This is particularly important with 4K workflows that normally tax your system.
Third-party encoding integration
Choose the right encoder for the job without sacrificing workflow efficiency. Integrate third-party encoders you already own with the Encore authoring workflow to take advantage of the latest advancements in GPU-accelerated encoding.
Cross-platform projects
Share Encore projects without worrying about platform compatibility. Encore projects can be moved between Windows and Mac platforms freely, without conversion.
Multipage menus
Create a smoother experience for viewers when they are choosing from options across multiple menus. Browsable multipage menus on Blu-ray Disc projects show options across multiple menu pages without interrupting background element playback.
24p support
Maintain the 24p look all the way to output with native 24p project support. Encore supports 24p frame rates for Blu-ray, DVD, and web DVD titles, with correct display of 24p timecode in the timeline.
4K mastering
Take 4K productions directly to high-definition Blu-ray Disc using a workflow that maintains the original 4K content all the way to output. Use Dynamic Link to open Adobe Premiere Pro 4K sequences in Encore without rendering first.
DDP master support
Create replicated discs from Encore using direct DDP master support for DVD discs. The outputted file can then be sent via FTP directly to the mastering facility.
Deliver engaging experiences practically anywhere
Create video optimized for smartphone, tablet, and PC screens. From capture to delivery, use metadata to make assets easier to find in production, create engaging experiences, and make online content easier for audiences to discover through search engines.
Batch encoding in the background
Automate the process of creating multiple encoded versions of your content using the batch features in Adobe Media Encoder. Maximize your productivity by continuing to work while files encode in the background.
Metadata-rich assets for online delivery
Incorporate metadata that makes your content more discoverable online and the viewing experience more engaging. Metadata stays with the assets you create in Creative Suite Production Premium components.
FLV/F4V cue points with name/value pairs
Create FLV/F4V cue points with name/value pairs using markers directly in the timeline. With Adobe Media Encoder, create, check, and adjust cue point information and then use it for further interactive design in Adobe Flash Professional.
Mobile phone and device output
Optimize video for viewing on the latest delivery platforms with Adobe Device Central CS5.5. Find the best settings for encoding as well as information about device capabilities, and then simulate playback on those devices to check quality.
Streamlined encoding
Deliver content in virtually any format with Adobe Media Encoder. Use any combination of sequences and clips, and encode to formats and codecs, such as FLV, F4V, Windows Media, QuickTime, MPEG-2, MPEG-4, H.264, AVC-Intra, and DPX.
Flexible timeline marker controls
Easily control marker attributes. Set Encore chapter markers, URL web links, and FLV cue points, all using a single dialog box.
Edit faster with a robust editing toolset
Boost your productivity with the industry's best cross-platform, native file
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?based workflows. With the 64-bit, GPU-accelerated Adobe Mercury Playback Engine and an unparalleled toolset, Adobe Premiere Pro CS5.5 sets a new standard in editing efficiency.
Multiple Project panels
Display assets in multiple Project panels, each with its own graphical or text view setting. With control over metadata views within the Project panels, organizing and viewing your assets is fast and efficient.
Individualized keyboard shortcuts
Personalize Adobe Premiere Pro by creating multiple keyboard maps for different tasks or to support multiple users. By exporting your own shortcut sets, you can be productive immediately when working on other systems.
Project Manager
Easily archive media, reclaim drive space, and move between offline and online environments. Consolidate projects by selecting and moving actual media used in a project to a single location for archiving and storage management.
Export Frame button
Quickly export a still video frame from the Program or Source Monitor via the Export Frame button without having to initiate an export via Adobe Media Encoder.
Customizable user interface
Adjust the Adobe Premiere Pro interface to fit almost any editing workflow or environment. Arrange the docked interface for multiple monitors, resize all the windows simultaneously, and save configurations as preset workspaces.
In-line search for assets
Find assets within the Project panel quickly using a search field that is updated as you type. Search on individual metadata fields or across them all to display groups of similar items.
Scrolling timeline
Set the timeline to scroll smoothly under a stationary indicator during playback, or adjust it to advance one page as the playback indicator reaches the edge of the window.
Nestable timelines
Manage large projects more easily by editing each section in its own timeline. Place (nest) each timeline inside a master timeline while maintaining full access to every edit.
Multitrack targeting and sync lock controls
Easily control clip placement, saving time and preserving the placement of other clips in the timeline with powerful track targeting options. Choose which tracks remain in sync after ripple and insert edits with sync lock controls.
Clip replacement
Easily replace any clip in the timeline with a new one that preserves the original's attributes. All effects and keyframes are retained, and, if necessary, the new clip is trimmed to fit the duration of the original one.
32-bit internal color processing
Maintain maximum image quality with subtle and dramatic changes to color, contrast, and exposure, free of the banding and artifacts caused by lower bit-depth processing.
Professional internal scopes
Monitor luma and chroma levels on every line with the built-in waveform monitor and vectorscope. Display Waveform IRE information in standard, YCbCr Parade, RGB Parade, or combined modes.
Target output resolution
Set your project to any resolution and work with it throughout production
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Increase productivity with timesaving editing features
Get more done in less time with features that make your work more efficient, whether you
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Automatic scene detection for HDV tapes
Use automatic scene detection to create separate clips from HDV tapes.
Find Gaps command
Clean up sequences quickly with commands for finding and removing gaps between clips on the timeline.
Field display settings
Set the Source and Program Monitors to display the first field, second field, or both fields for interlaced footage.
Keyframe and vertical clip snapping
Place effects keyframes precisely. As you move them, keyframes snap to sequence markers, the playhead, clip edges, and other video or audio keyframes. Use vertical snapping to keep clips in sync when moving them between tracks.
Timesaving options with multiple clips
Easily apply a transition to multiple clips using cut and paste, while maintaining destination attributes like duration. Adjust speed, duration, and audio gain, or apply effects to multiple clips simultaneously.
Faster clip pasting and subclip creation
Save time when pasting clips into the timeline. The playhead jumps to the end of a pasted clip so that subsequent pasted clips are placed directly after it. Create subclips by dragging content from the timeline to the Project panel.
Previous zoom-level shortcut
Use smart zoom in the timeline to switch between detailed and global views of your content with one key press. Press to zoom the timeline to show the entire contents of your sequence. Press again to return to the previous zoom level.
Remove All Effects command
Quickly clear all effects from one or multiple selected clips using a single command.
Extend Edit shortcut
Extend the duration of a clip on a target track to the current position on the timeline using an assignable keyboard shortcut.
Manage projects, sequences, and clips efficiently
Keep your projects running smoothly with fast RapidFind search results, clip instances that are updated automatically when you update the asset they reference, nested sequence, immediate playback, and more.
RapidFind search
Type what you're looking for into the RapidFind search box and see updated results as you type. RapidFind is available in the Effects, Project, and Metadata panels and makes finding matching content fast and efficient.
Footage replacement
Update assets in your project quickly as newer versions become available by replacing files in the Project panel. When you replace assets, all clip instances that reference that media are updated automatically.
Per-sequence settings
Mix content freely by assigning different settings to individual sequences. By nesting those sequences into a single master sequence, you can manage assets more easily and quickly create multiple versions of the project.
Immediate Project window playback
Keep your focus on the timeline and get immediate playback from a clip you dragged from the Project window.
Media locations saved in project
Manage projects more efficiently. File location preferences are saved on a per-project basis, making it easy to set up partitions for particular projects.
Individual sequence import
Combine content from multiple projects more easily by choosing any combination of sequences to import.
Individual sequence trimming
Avoid trimming redundant content in the Project Manager with the ability to select any combination of sequences for trimming.
Task-based Project panel configurations
Create workspace configurations using Project panel column configurations optimized for the task at hand.
A/V offline master clip linking
Link an A/V offline master clip to media that has only video or audio present.
Trimmed clip archiving
Archive projects more efficiently. Use the Project Manager to include offline clips in trimmed projects with lower storage requirements.
Gain precise audio control
Take control of your audio with sample-level audio editing, direct waveform scrubbing, and flexible audio channel mapping for offline clips. View audio waveforms in greater detail.
Vertical waveform zoom in the Source Monitor
View audio waveforms in greater detail in the Source Monitor. Zoom both channels independently or together.
Broadcast WAV support
Pass source timecode through to audio applications thanks to Broadcast WAV support for easier linking to externally recorded media and tighter workflows with digital audio workstations such as Pro Tools and Pyramix.
Audio channel mapping for offline clips
Set and adjust audio channel mapping for offline clips at any time. Change batch capture behavior easily by routing source audio channels to various audio track configurations, before or after bringing them into a project.
Audio-only or video-only clip recapture
Change recapture settings for offline clips without having to recapture them first.
Audio level monitoring
View audio levels coming from FireWire devices during capture using the audio level meters panel.
Direct waveform scrubbing
Navigate with precision within the Source Monitor when working with audio-only clips. Use the playhead to scrub the waveform directly.
Video or audio display default setting
Customize display settings by turning video or audio keyframe, opacity, and clip volume display on or off by default.
Track Normalize
Save time by using volume settings to normalize all the clips in a sequence track.
Merge Clips
Easily create subclips that match audio and video from separate sources. The Merge Clips feature supports dual-system sound by allowing high-quality audio to be synced with video shot on a separate device, such as a DSLR or RED camera.
Sample-level audio editing
Adjust audio clips with sample precision up to 1/96,000 of a second. Set precise L- and J-cuts. Eliminate small pops, crackles, and other unwanted audio elements.
Extend options with integrated online services
Speed up editing and collaboration thanks to Adobe Premiere Pro integration with Adobe Story, Acrobat.com, Adobe CS Review, and other CS Live online services.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service, into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete shot lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Client reviews made simple
Collaborate more efficiently on works in progress using Adobe CS Review, a CS Live online service that allows you to share video sequences for review without burning discs or sending large files back and forth.
Adobe Community Help
Access an online search engine from within Adobe Premiere Pro. Searchable content includes in-depth, product-specific help, plus additional Adobe and third-party content chosen by industry experts.
Acrobat.com integration
Streamline the way you work and collaborate by using Acrobat.com, a CS Live online service1,2. Acrobat.com includes online Workspaces, document sharing and storage, PDF file conversion, web conferencing, and online office applications.
What is Adobe Premiere Pro?
Adobe
Premiere
Pro CS5.5 software lets you edit faster with true native format support. Get breakthrough performance on workstations and laptops; streamline collaboration; and boost productivity with an efficient, robust, cross-platform editing workflow.
Experience industry-leading performance
Work smoothly with the enhanced 64-bit Adobe
Mercury Playback Engine, now on workstations and laptops; GPU acceleration; and the ability to adjust playback resolution in the Source or Program Monitor in Adobe Premiere
Pro CS5.5 software.
Mercury Playback Engine
Get amazing performance from the Mercury Playback Engine on both desktops and laptops (Windows
and Mac OS). Natively 64-bit and optimized for modern CPUs, Mercury delivers astounding performance with or without GPU acceleration.
Variable playback resolution
Edit high-resolution projects on lower spec computers with the ability to adjust the playback resolution in the Source or Program Monitor. Separate Playback and Pause resolutions give you more control over monitoring.
GPU-accelerated effects
Speed up your creative workflow by seeing the results of even more effects without having to render them first, thanks to GPU acceleration and the enhanced 64-bit Adobe Mercury Playback Engine, now on workstations and laptops.
Video preview format and resolution settings
Adjust the video preview format and resolution to promote smooth playback when your computer's hardware is unable to play back the full sequence frame size in real time.
Work in real time
Take advantage of GPU-accelerated effects to control frame rate, aspect ratio, field order, alpha channels, pull-down removal, real-time keying, time remapping, transitions, and more.
GPU-accelerated Ultra keyer
Easily achieve complex keys on challenging footage with GPU-accelerated Ultra
, which typically keys in real time (using NVIDIA
graphics cards, depending on system configuration and file types).
GPU-accelerated media processing
Correct issues caused by mismatched media, media with varying types of alpha channels, and more with GPU-accelerated effects that compensate for differences in frame rate, field order, and pixel aspect ratio.
Speed change effects
Create high-quality slow motion or fast motion and play clips backwards using GPU-accelerated time remapping, speed change, and backwards effects.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Field options
Eliminate unwanted interlacing artifacts with GPU-accelerated effects that give you control over field order, interlacing, deinterlacing, and flicker removal.
GPU-accelerated transitions
Transition between clips using Additive Dissolve to add the color information from clip B to clip A, and then subtract the color information of clip A from clip B. Get a film-like transition with Film Dissolve.
Blur effects
Quickly add blur to large areas of your clips using GPU-accelerated Fast Blur, create the illusion of motion using Directional Blur, and see the results in real time thanks to GPU acceleration.
Streamline production with a native file-based workflow
Maximize quality and eliminate time-consuming transcoding and rewrapping. Adobe Premiere Pro provides native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced RED R3D and Canon XF support.
Native RED EPIC camera support
Edit up to 5K footage shot from RED EPIC
cameras without transcoding or rewrapping, and access RED parameters directly from the enhanced Source Settings dialog box. Download the RED EPIC camera importer for native support in CS5.5.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
, and the latest Color Science and Firmware for RED ONE
cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Extensive native file-based workflow
Eliminate time-consuming transcoding and rewrapping and maximize quality thanks to native support for P2; XDCAM EX, HD, and HD50; JVC ProHD, AVCHD, and AVCCAM; DPX; and Canon and Nikon DSLR cameras as well as enhanced support for RED R3D, Canon XF, and more.
Native support for Nikon DSLR cameras
Easily import and edit video shot with Nikon D90, D300s, and D3000 DSLR cameras. Native format support preserves the original file's pristine quality by eliminating transcoding and rewrapping, allowing you to start working immediately.
Enhanced Canon XF native support
Preview Canon XF footage in the Media Browser panel and utilize camera metadata throughout your preproduction and post-production workflows. Spanned clips are displayed as a single asset in the Media Browser, reducing clutter.
Panasonic P2 export
Export content in Panasonic P2 format, either to P2 media for use in a P2 workflow or to hard disk for archiving. Choose from DVCPRO HD and AVC-Intra codecs.
Tapeless HDV support
Edit content natively from Sony HDV cameras that record directly to removable media. Use the Media Browser to find clips and organize them using metadata, and then import content directly without transcoding or rewrapping.
Native AVCHD support
Import and natively edit AVCHD content from Sony, Panasonic, and Canon cameras without transcoding or rewrapping the content. Use the Media Browser to browse clips and view metadata
including metadata from Panasonic AVCCAM cameras.
Media Browser panel for file-based workflows
Easily find content on tapeless cameras by viewing all your clips, along with a customizable view of the metadata associated with the content. Open clips and image files in the Source Monitor directly from the Media Browser panel.
Native support for Canon DSLR cameras
Easily import and edit video shot with Canon DSLR cameras, including the EOS 5D Mark II and 7D, using a complete, easy-to-use toolset. Native format support eliminates transcoding and rewrapping, preserving the source file's pristine quality.
Panasonic P2 native support
Natively edit content from Panasonic cameras in DVCPRO, DVCPRO HD, and AVC-Intra formats and across multiple P2 cards. View metadata in the Media Browser, and edit content from the P2 card or transfer it to hard disk for best performance.
Broad Sony XDCAM native format support
Edit all types of Sony XDCAM content natively, without rewrapping or transcoding. Browse and organize clips using the Media Browser. Edit from the SxS card via the camera or card reader (XDCAM EX only), or transfer to hard disk for best performance.
DPX file import and export
Work with DPX frame sequences that include embedded timecode as footage in Adobe Premiere Pro CS5.5. Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any time.
Native AVC-Intra support
Import, play back, and edit AVC-Intra clips natively with no transcoding or rewrapping. A true file-based workflow supports both 50Mbps and 100Mbps bitrates at all common frame rates. The Media Browser lets you view clips directly.
Native support for JVC ProHD
Edit footage shot on JVC ProHD video cameras and stored as either MOV or MP4 files. Native support eliminates time-consuming transcoding or rewrapping and preserves the original pristine quality of the source footage.
Take advantage of broad format support
Import and export major video, audio, and graphic file formats, and combine them all in the Adobe Premiere Pro timeline. Adobe Premiere Pro also supports a wide range of hardware, so you can build the editing system that meets your needs and budget.
Expanded RED support
Work natively with RED footage, with support for RED Rocket, Mysterium X
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, and the latest Color Science and Firmware for RED ONE
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cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Mixed-format timeline support
Combine content from all supported formats in the Adobe Premiere Pro timeline without restrictions. High-quality scaling and flexible footage interpretation rules make it easy to produce exceptional output from mixed-format footage.
Support for all major media types
Import and export major video, audio, and graphic file formats, including FLV, F4V, MPEG-2, QuickTime, Windows Media, AVI, BWF, AIFF, JPEG, PNG, PSD, TIFF, and more.
DPX file support
Use native DPX file import and export to create a 10-bit uncompressed DI workflow. Timecode is preserved throughout import, editing, and export.
Still-image file support
Import still-image files in major formats, including PSD, BMP, GIF, EPS, JPEG, PCX, PICT, PNG, and TIFF. Export in BMP, GIF, TARGA, and TIFF formats.
ASIO compatibility
Record and play back audio through any multichannel audio card or hardware that supports the industry-standard ASIO protocol.
Video hardware support
Choose from a wide range of capture cards and other hardware to build the HD, SD, or DV editing system that meets your needs and budget.
Enjoy the convenience of Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe applications, including Adobe After Effects
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, Photoshop
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Extended, Illustrator
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, Flash
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Catalyst
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, Adobe Audition
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, and Adobe OnLocation
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Unparalleled Adobe integration
Effortlessly move assets between Adobe Premiere Pro and other Adobe Creative Suite
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Production Premium components
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? Adobe After Effects, Photoshop Extended, Illustrator, Flash Catalyst, and, new in CS5.5, Adobe Audition.
Roundtrip workflows with Adobe Audition
Get a fast, flexible roundtrip audio workflow with Adobe Audition
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CS5.5 software. Pass individual audio clips and multitrack mixes or complete video sequences between Adobe Premiere Pro CS5.5 and Adobe Audition for editing and sweetening.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service,1,2 into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Adobe OnLocation integration
Record SD and HD video to hard disk and log metadata while shooting using Adobe OnLocation
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. Transfer content directly to Adobe Premiere Pro, maintaining all metadata and clip information, including in and out points set in Adobe OnLocation.
Dynamic Link
Use Adobe Dynamic Link to open sequences "live" in Adobe Encore
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software without rendering first. Any changes made in Adobe Premiere Pro are automatically reflected in Encore. Native 64-bit support improves Dynamic Link performance.
Adobe After Effects integration
Drag and drop or copy and paste clips and timelines between Adobe Premiere Pro and After Effects. Open complete Adobe Premiere Pro projects, including nested sequences, in After Effects.
Extensive Adobe Photoshop integration
Import Photoshop files that contain video without rendering them first. Control how they look by choosing which layers to import and how to import them. Apply keyframeable Photoshop blend modes to clips on the timeline.
Group clip transfer
Transfer groups of clips to After Effects using a single command. Adobe Premiere Pro re-creates the structure of your clips in an After Effects composition and then imports the composition into the timeline using Dynamic Link.
Adobe Illustrator integration
Open Illustrator files in Adobe Premiere Pro. When you scale an image in Adobe Premiere Pro, the image is continuously rasterized, so image quality remains pristine.
Direct export from Adobe Premiere Pro
Save time by exporting media directly from Adobe Premiere Pro without first adding it to the Adobe Media Encoder queue.
Achieve creative excellence
Realize your creative vision with Adobe Premiere Pro CS 5.5, taking advantage of real-time stereoscopic 3D editing, support for closed captioning, time remapping, precise keyframe controls, and more.
Closed-captioning support
Play back and display 608 and 708 closed captions, synced to your video sequence and viewable in the Program Monitor.
Real-time steroscopic 3D editing
Edit 3D content in real time thanks to 64-bit performance and world-class integration with CineForm Neo 3D, which provides a smoother workflow than Final Cut Pro.
Multicam editing
View multiple-camera shoot tracks, easily sync via timecode, and edit by switching between tracks in real time. Rerecord sections of your edit, make fine editing adjustments, and adjust color across multiple shots, even after editing.
Time remapping
Use high-quality slow motion to create dramatic effects that focus on the action. With a streamlined, on-clip interface, the time remapping feature makes it easy to speed up, slow down, reverse, and hold frames with precision.
Precise keyframe controls
Control audio and video effect parameters using comprehensive keyframe controls. Get precise control using Bezier handles to finesse the shape of parameter curves.
Robust color-correction tools
Use primary and secondary color-correction tools, and see results instantly with GPU acceleration. Match shots; change colors; correct exposure; and modify highlights, midtones, and shadows across clips, sequences, or entire projects.
Integrated titling
Create sophisticated text and graphics titles from scratch, professionally designed templates, or user-defined styles.
Auto-color adjustment
Instantly improve your video image quality with effects like those in Adobe Photoshop, including Auto Color, Auto Contrast, and Shadows/Highlights.
Lighting Effects
Add a spot, directional, or omni light to your video footage. Create multiple lights to see different looks on different parts of a scene.
Animated track-matte workflow
Easily create traveling mattes by applying effects and animation to individual track-matte clips.
Clip and timeline effects
Apply powerful, built-in visual and motion effects to clips. Create custom effects presets. Increase your options with an extensive range of After Effects compatible plug-ins. Get GPU-accelerated real-time feedback for many effects.
Audio keyframing
Create smooth audio crossfades and other audio changes with a minimal number of keyframes. By creating fewer audio keyframes over a given time interval, Adobe Premiere Pro simplifies the editing process.
Collaborate through third-party workflow integration
Work in an open, extensible production environment. Write scripts collaboratively. Efficiently gather feedback from clients and teammates. Easily exchange projects with Final Cut Pro and Avid software, as well as other Adobe software.
Streamlined collaboration
Collaborate more easily thanks to enhanced integration with Final Cut Pro and Avid Media Composer, and with Adobe CS Review, a separate CS Live online service. Save time by background encoding files for CS Review using new presets in Adobe Media Encoder.
Native editing of QuickTime formats
Import and edit all the popular QuickTime formats natively (including Apple ProRes and MOV files captured by Canon 5D and 7D cameras), with full access to clip metadata
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Final Cut Pro project import and export
Roundtrip projects between Adobe Premiere Pro and Final Cut Pro without conversion or re-rendering, preserving commonly used effects and transitions. Bring the creative benefits of Adobe tools to any post-production workflow.
Avid NLE project AAF import and export
Use AAF import and export to share projects with Avid NLEs without conversion or re-rendering, preserving commonly used effects and transitions. You can also import and export CMX3600 format Edit Decision Lists (EDLs).
OMF file export
Export your audio in Open Media Framework (OMF) format for interchange with audio workstations. Then import the final audio back into Adobe Premiere Pro and use direct audio channel routing to preserve the final mix.
Get better output faster with Adobe Media Encoder
Create output more quickly for any video format or device, including web, phone, and tablet, with 64-bit Adobe Media Encoder. Use intuitive presets and context menus to configure multiple outputs from Adobe Premiere Pro and batch encode.
Fast, reliable multiscreen delivery
Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing.
Easy presets for popular devices and formats
Save time and encode content more easily by using Adobe Media Encoder CS5.5 presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
Match Sequence Settings
Make encoding settings match the original Adobe Premiere Pro source sequence or After Effects composition. With Match Sequence Settings, you save time by not having to recheck all encoding options even when you aren't changing them.
Drag-and-drop encoding
Drag and drop sequences from Adobe Premiere Pro and compositions from After Effects
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directly into Adobe Media Encoder CS5.5, which can then encode them immediately. This saves many steps compared with Adobe Media Encoder CS5.
Enhanced watch folder workflow
Set up Adobe Media Encoder CS5.5 to watch a folder. Automatically encode files arriving in the folder to a format you specify. Multiple watch folders can encode to different formats and to the same destination folder.
Improved user interface and workflow
Take advantage of a clearer user interface, new presets, and new contextual menus that improve your Adobe Media Encoder workflow. Expand Queue items to check formats, progress, and encoding settings. Monitor job status in the new Watch Folders section.
Metadata output templates
Preserve metadata in Adobe Media Encoder output to make production more efficient and enhance usability, or clear metadata before output to protect confidential production data before distributing content to external audiences.
Bitrate based on source frame size
Help ensure video looks great on screens of all sizes by automatically setting the encoding bitrate level based on source (instead of destination) frame dimensions in Adobe Media Encoder for selected Adobe Flash and Blu-ray Disc output formats.
Interpret Footage
Use the Interpret Footage command before encoding to override automatic interpretation of the frame rate, pixel aspect ratio, field order, or alpha channel settings of items you import into Adobe Media Encoder.
Crop and trim control
Easily crop the frame size and trim the in and out points of a clip or sequence in Adobe Media Encoder.
Automatic still image sequencing
Automatically encode still images as a video sequence. When you import a numbered series of still images into Adobe Media Encoder CS5.5, it intelligently recognizes them as stills and offers to encode them as one video sequence.
XMP cue points from metadata
Add XMP cue points in Adobe Media Encoder read from metadata in FLV or F4V source files, as well as manually prior to encoding.
Audible alerts when jobs are completed
Hear alerts when Adobe Media Encoder finishes jobs in the background, so you can keep working without having to watch the queue. Different sounds indicate whether jobs have been completed successfully or with errors.
Settings Summary
Get more visual feedback using the Settings Summary dialog box in Adobe Media Encoder. Show information for output and source content, and use tool tips to see the output settings for items being encoded.
Adobe Media Encoder CS Review presets
Save time with new Adobe Media Encoder presets that are optimized for output to Adobe CS Review, a CS Live online service.
Benefit from an end-to-end metadata workflow
Make the most of your metadata, whether you
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?re turning spoken dialogue into written transcripts with RapidFind, synchronizing scripts to footage, or finding clips with human faces. Customize the way metadata is displayed to match your workflow.
Speech Analysis
Turn spoken dialogue into timecode-accurate transcripts. Use RapidFind to jump to a specific area by searching for keywords within the dialogue, or even cut video based on the transcript. Reference scripts, such as an Adobe Story script, increase accuracy.
Synchronized footage
Use Speech Analysis to synchronize your scripts to footage, and then edit based on the dialogue transcript. Download Speech Analysis Models that allow you to convert spoken words into text from many languages.
Face detection
Rapidly find interview sound bites without having to play through each clip in your project. Run the Content Analysis process on clips in your project, and then use the search tool to find clips with human faces in them.
Metadata views in the Project panel
Get immediate access to metadata that is important to your production. Customize and save the way XMP metadata is displayed in the Project panel, with control over individual fields and the ability to import custom metadata schemas.
Metadata panel
View and edit metadata for selected items using the Metadata panel. Control how individual fields are displayed, customize schemas, apply changes to selected files, and save configurations for later use. Locate metadata fast with RapidFind.
Be more productive thanks to an efficient metadata-driven workflow enabled by Adobe OnLocation
Take control of your footage with powerful shot logging and management features and the fast, intuitive Adobe OnLocation interface. Easily place comment markers during recording, and manage metadata across assets.
File browsing from disk
Find the files you need quickly by opening any supported media files directly in the Adobe OnLocation Monitor window. Play and scrub files, and add in and out points using the fast, intuitive Adobe OnLocation interface.
Easy access to Take and Shot recording
Switch between Take and Shot recording modes using a dedicated control in the Shot List that provides immediate visual confirmation of the current mode.
Custom metadata schemas
Promote consistent logging by multiple users, and across productions, by importing precreated metadata schema files that include specific field values.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete Shot Lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Tapeless recording and logging
Use the powerful logging options in Adobe OnLocation with tapeless cameras: Tell Adobe OnLocation which shot is recording and log comments. When the tapeless clips are imported, the information is automatically merged.
Easy comment marker placement
Help ensure the accuracy of comment markers you make during recording by dragging and dropping them or by entering exact timecode values. This makes it easy to review specific parts of the recording while still at the shoot.
Timesaving XMP metadata
Speed up your post-production workflow with metadata acquired during preproduction and production.
Speed up video capture and editing with Adobe OnLocation
Accomplish more while you
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?re recording or importing footage. Log live action accurately while recording, and analyze imported files quickly. Check the contents of tapeless camera media without importing it, and browse project contents in the Media Browser.
Professional on-set monitoring
Maximize camera image quality during shoots by using Adobe OnLocation to quickly calibrate your camera, check levels, and monitor signals. The virtual waveform monitor and vectorscope help you avoid problems and improve quality.
Imported file scan and analysis
Analyze imported files with the same alert system used during live disk recording. Adobe OnLocation quickly scans imported media for problems with audio pops and clipping and video overbrights.
TurboComments
While recording, add frequently used words
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? cast names and so on
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? with a single key press to log live action accurately and efficiently. Adobe OnLocation lets you store up to nine comments with shortcuts for timecode-accurate recall.
Comment marker list
View and edit the comment markers for each clip in your project using a sortable list view that makes it easy to find specific logged issues and view them in the Adobe OnLocation Monitor window.
Poster frames
Find clips visually more efficiently by assigning a poster frame for each clip.
Camera browsing without importing
Use Adobe OnLocation to check the contents of file-based camera media without having to copy to the hard drive or import content into the Adobe OnLocation project.
Project browsing in the Media Browser
Find media used in Adobe OnLocation projects without opening the projects. View the project contents in the Media Browser as if the project were a folder of media, and then drag and drop files directly into the current project.
File-based camera support
Work with tapeless cameras using all the Adobe OnLocation
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capabilities for on-set logging and clip analysis. Import Sony XDCAM, XDCAM HD, XDCAM EX, Panasonic P2, AVCHD, AVC-Intra, and HDV media without transcoding or rewrapping.
Timecode-accurate playhead placement
Position the playhead exactly where you need it using timecode controls that allow scrubbing of timecode or direct entry of specific values.
Audible playback while scrubbing
Find the section you need more quickly by listening to audio during scrubbing and frame advance.
Recording and logging without wires
Add comments and metadata to clips being recorded on a tapeless camera that
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?s not connected to Adobe OnLocation. Specify which shot is recording and log comments. Data is automatically merged with the corresponding clips on import.
Sub-project export
Export the takes that are tagged "wanted" in the Adobe OnLocation Shot List. Access the sub-project's folder from the Media Browser panel in Adobe Premiere Pro. Clips with in and out points form a rough cut when added to a sequence.
Convenient missing media relinking
Reconnect broken file references in your Adobe OnLocation project quickly and easily.
Shot List publishing
Keep everyone up to date during production by publishing your Adobe OnLocation Shot List as a CSV file that can be viewed on a variety of software and devices, including iPod touch and iPhone.
Direct-to-disk recording
Bypass tape completely during shooting with Adobe OnLocation. Connect your camera to your laptop and start recording directly to hard disk. Review footage immediately, and then quickly bring it into Adobe Premiere Pro for editing.
Realize your vision with powerful Encore authoring tools
Send Adobe Premiere Pro projects directly to Adobe Encore without rendering. In Encore, efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project. Use flowcharts to define and view the navigation of your project.
Integrated search for web DVD titles
Offer viewers a more engaging experience with the ability to search by keyword within a web DVD. Encore uses metadata from speech analysis, subtitles, and menu and button names to make web DVD titles automatically searchable.
Single project, multiformat delivery
Efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single Encore project file. With support for pop-up menus and subtitles, viewers of web DVD titles enjoy all the benefits of the Blu-ray experience delivered online.
Dynamic Link integration
Send your Adobe Premiere Pro projects directly to Encore without rendering first. Changes in the timeline are reflected immediately in Encore thanks to Adobe Dynamic Link.
Flowchart
Define and view the navigation of your DVD, Blu-ray Disc, and web DVD projects by using a visual flowchart representation of all points and links. Independent variable zoom functionality streamlines your authoring workflow.
Adobe Photoshop integration
Create DVD and Blu-ray Disc menus in the Photoshop file format using technology built into Encore. Edit menus in Photoshop and see your changes instantly in your Encore project.
Sleek interface for web DVD titles
Create web DVDs that have a sleek playback interface, offering easy-to-use playback controls plus the option to watch HD video in full-screen mode.
Background transcoding
Work more efficiently when transcoding files. Adobe Media Encoder transcodes files in the background, keeping Encore free to focus on authoring tasks. This is particularly important with 4K workflows that normally tax your system.
Third-party encoding integration
Choose the right encoder for the job without sacrificing workflow efficiency. Integrate third-party encoders you already own with the Encore authoring workflow to take advantage of the latest advancements in GPU-accelerated encoding.
Cross-platform projects
Share Encore projects without worrying about platform compatibility. Encore projects can be moved between Windows and Mac platforms freely, without conversion.
Multipage menus
Create a smoother experience for viewers when they are choosing from options across multiple menus. Browsable multipage menus on Blu-ray Disc projects show options across multiple menu pages without interrupting background element playback.
24p support
Maintain the 24p look all the way to output with native 24p project support. Encore supports 24p frame rates for Blu-ray, DVD, and web DVD titles, with correct display of 24p timecode in the timeline.
4K mastering
Take 4K productions directly to high-definition Blu-ray Disc using a workflow that maintains the original 4K content all the way to output. Use Dynamic Link to open Adobe Premiere Pro 4K sequences in Encore without rendering first.
DDP master support
Create replicated discs from Encore using direct DDP master support for DVD discs. The outputted file can then be sent via FTP directly to the mastering facility.
Deliver engaging experiences practically anywhere
Create video optimized for smartphone, tablet, and PC screens. From capture to delivery, use metadata to make assets easier to find in production, create engaging experiences, and make online content easier for audiences to discover through search engines.
Batch encoding in the background
Automate the process of creating multiple encoded versions of your content using the batch features in Adobe Media Encoder. Maximize your productivity by continuing to work while files encode in the background.
Metadata-rich assets for online delivery
Incorporate metadata that makes your content more discoverable online and the viewing experience more engaging. Metadata stays with the assets you create in Creative Suite Production Premium components.
FLV/F4V cue points with name/value pairs
Create FLV/F4V cue points with name/value pairs using markers directly in the timeline. With Adobe Media Encoder, create, check, and adjust cue point information and then use it for further interactive design in Adobe Flash Professional.
Mobile phone and device output
Optimize video for viewing on the latest delivery platforms with Adobe Device Central CS5.5. Find the best settings for encoding as well as information about device capabilities, and then simulate playback on those devices to check quality.
Streamlined encoding
Deliver content in virtually any format with Adobe Media Encoder. Use any combination of sequences and clips, and encode to formats and codecs, such as FLV, F4V, Windows Media, QuickTime, MPEG-2, MPEG-4, H.264, AVC-Intra, and DPX.
Flexible timeline marker controls
Easily control marker attributes. Set Encore chapter markers, URL web links, and FLV cue points, all using a single dialog box.
Edit faster with a robust editing toolset
Boost your productivity with the industry's best cross-platform, native file
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?based workflows. With the 64-bit, GPU-accelerated Adobe Mercury Playback Engine and an unparalleled toolset, Adobe Premiere Pro CS5.5 sets a new standard in editing efficiency.
Multiple Project panels
Display assets in multiple Project panels, each with its own graphical or text view setting. With control over metadata views within the Project panels, organizing and viewing your assets is fast and efficient.
Individualized keyboard shortcuts
Personalize Adobe Premiere Pro by creating multiple keyboard maps for different tasks or to support multiple users. By exporting your own shortcut sets, you can be productive immediately when working on other systems.
Project Manager
Easily archive media, reclaim drive space, and move between offline and online environments. Consolidate projects by selecting and moving actual media used in a project to a single location for archiving and storage management.
Export Frame button
Quickly export a still video frame from the Program or Source Monitor via the Export Frame button without having to initiate an export via Adobe Media Encoder.
Customizable user interface
Adjust the Adobe Premiere Pro interface to fit almost any editing workflow or environment. Arrange the docked interface for multiple monitors, resize all the windows simultaneously, and save configurations as preset workspaces.
In-line search for assets
Find assets within the Project panel quickly using a search field that is updated as you type. Search on individual metadata fields or across them all to display groups of similar items.
Scrolling timeline
Set the timeline to scroll smoothly under a stationary indicator during playback, or adjust it to advance one page as the playback indicator reaches the edge of the window.
Nestable timelines
Manage large projects more easily by editing each section in its own timeline. Place (nest) each timeline inside a master timeline while maintaining full access to every edit.
Multitrack targeting and sync lock controls
Easily control clip placement, saving time and preserving the placement of other clips in the timeline with powerful track targeting options. Choose which tracks remain in sync after ripple and insert edits with sync lock controls.
Clip replacement
Easily replace any clip in the timeline with a new one that preserves the original's attributes. All effects and keyframes are retained, and, if necessary, the new clip is trimmed to fit the duration of the original one.
32-bit internal color processing
Maintain maximum image quality with subtle and dramatic changes to color, contrast, and exposure, free of the banding and artifacts caused by lower bit-depth processing.
Professional internal scopes
Monitor luma and chroma levels on every line with the built-in waveform monitor and vectorscope. Display Waveform IRE information in standard, YCbCr Parade, RGB Parade, or combined modes.
Target output resolution
Set your project to any resolution and work with it throughout production
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Increase productivity with timesaving editing features
Get more done in less time with features that make your work more efficient, whether you
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?re removing gaps between clips, placing effects keyframes, applying a transition to multiple clips, or extending the duration of a clip.
Automatic scene detection for HDV tapes
Use automatic scene detection to create separate clips from HDV tapes.
Find Gaps command
Clean up sequences quickly with commands for finding and removing gaps between clips on the timeline.
Field display settings
Set the Source and Program Monitors to display the first field, second field, or both fields for interlaced footage.
Keyframe and vertical clip snapping
Place effects keyframes precisely. As you move them, keyframes snap to sequence markers, the playhead, clip edges, and other video or audio keyframes. Use vertical snapping to keep clips in sync when moving them between tracks.
Timesaving options with multiple clips
Easily apply a transition to multiple clips using cut and paste, while maintaining destination attributes like duration. Adjust speed, duration, and audio gain, or apply effects to multiple clips simultaneously.
Faster clip pasting and subclip creation
Save time when pasting clips into the timeline. The playhead jumps to the end of a pasted clip so that subsequent pasted clips are placed directly after it. Create subclips by dragging content from the timeline to the Project panel.
Previous zoom-level shortcut
Use smart zoom in the timeline to switch between detailed and global views of your content with one key press. Press to zoom the timeline to show the entire contents of your sequence. Press again to return to the previous zoom level.
Remove All Effects command
Quickly clear all effects from one or multiple selected clips using a single command.
Extend Edit shortcut
Extend the duration of a clip on a target track to the current position on the timeline using an assignable keyboard shortcut.
Manage projects, sequences, and clips efficiently
Keep your projects running smoothly with fast RapidFind search results, clip instances that are updated automatically when you update the asset they reference, nested sequence, immediate playback, and more.
RapidFind search
Type what you're looking for into the RapidFind search box and see updated results as you type. RapidFind is available in the Effects, Project, and Metadata panels and makes finding matching content fast and efficient.
Footage replacement
Update assets in your project quickly as newer versions become available by replacing files in the Project panel. When you replace assets, all clip instances that reference that media are updated automatically.
Per-sequence settings
Mix content freely by assigning different settings to individual sequences. By nesting those sequences into a single master sequence, you can manage assets more easily and quickly create multiple versions of the project.
Immediate Project window playback
Keep your focus on the timeline and get immediate playback from a clip you dragged from the Project window.
Media locations saved in project
Manage projects more efficiently. File location preferences are saved on a per-project basis, making it easy to set up partitions for particular projects.
Individual sequence import
Combine content from multiple projects more easily by choosing any combination of sequences to import.
Individual sequence trimming
Avoid trimming redundant content in the Project Manager with the ability to select any combination of sequences for trimming.
Task-based Project panel configurations
Create workspace configurations using Project panel column configurations optimized for the task at hand.
A/V offline master clip linking
Link an A/V offline master clip to media that has only video or audio present.
Trimmed clip archiving
Archive projects more efficiently. Use the Project Manager to include offline clips in trimmed projects with lower storage requirements.
Gain precise audio control
Take control of your audio with sample-level audio editing, direct waveform scrubbing, and flexible audio channel mapping for offline clips. View audio waveforms in greater detail.
Vertical waveform zoom in the Source Monitor
View audio waveforms in greater detail in the Source Monitor. Zoom both channels independently or together.
Broadcast WAV support
Pass source timecode through to audio applications thanks to Broadcast WAV support for easier linking to externally recorded media and tighter workflows with digital audio workstations such as Pro Tools and Pyramix.
Audio channel mapping for offline clips
Set and adjust audio channel mapping for offline clips at any time. Change batch capture behavior easily by routing source audio channels to various audio track configurations, before or after bringing them into a project.
Audio-only or video-only clip recapture
Change recapture settings for offline clips without having to recapture them first.
Audio level monitoring
View audio levels coming from FireWire devices during capture using the audio level meters panel.
Direct waveform scrubbing
Navigate with precision within the Source Monitor when working with audio-only clips. Use the playhead to scrub the waveform directly.
Video or audio display default setting
Customize display settings by turning video or audio keyframe, opacity, and clip volume display on or off by default.
Track Normalize
Save time by using volume settings to normalize all the clips in a sequence track.
Merge Clips
Easily create subclips that match audio and video from separate sources. The Merge Clips feature supports dual-system sound by allowing high-quality audio to be synced with video shot on a separate device, such as a DSLR or RED camera.
Sample-level audio editing
Adjust audio clips with sample precision up to 1/96,000 of a second. Set precise L- and J-cuts. Eliminate small pops, crackles, and other unwanted audio elements.
Extend options with integrated online services
Speed up editing and collaboration thanks to Adobe Premiere Pro integration with Adobe Story, Acrobat.com, Adobe CS Review, and other CS Live online services.
Direct integration with Adobe Story
Speed up your editing workflow by importing scripts with metadata from Adobe Story, an Adobe CS Live online service, into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Powerful Shot List management
Save time using powerful options to break out scenes into multiple clips and camera angles. Import Adobe Story scripts to create complete shot lists in Adobe OnLocation that retain metadata, including dialogue, characters, and more.
Client reviews made simple
Collaborate more efficiently on works in progress using Adobe CS Review, a CS Live online service that allows you to share video sequences for review without burning discs or sending large files back and forth.
Adobe Community Help
Access an online search engine from within Adobe Premiere Pro. Searchable content includes in-depth, product-specific help, plus additional Adobe and third-party content chosen by industry experts.
Acrobat.com integration
Streamline the way you work and collaborate by using Acrobat.com, a CS Live online service1,2. Acrobat.com includes online Workspaces, document sharing and storage, PDF file conversion, web conferencing, and online office applications.
15,1 Megapixel CMOS sensor
De Canon 15,1 Megapixel CMOS sensor is ideaal voor iedereen die grote, posterformaat prints wil maken of haarscherpe beelduitsnedes wil selecteren om zonder verlies aan details te vergroten. Deze sensor is perfect in situaties met weinig omgevingslicht en produceert beelden met onvoorstelbaar weinig beeldruis.
Full HD videobeelden
De EOS 500D combineert hoogwaardige fotografie met de mogelijkheid om Full HD (1080p) videobeelden vast te leggen. Zodra meer beeldmateriaal op een geheugenkaart moet worden opgeslagen, hebben gebruikers de keuze uit 720P of VGA resolutie. Een HDMI aansluiting maakt het mogelijk de HD videobeelden en opnamen te bekijken op elke HDTV.
High ISO bij weinig licht
Zodra de lichtintensiteit minder wordt, biedt de EOS 500D een ISO bereik tot 3200
uitbreidbaar tot 12800 voor omgevingen waar het gebruik van een flitser ongewenst is.
3,4 bps met max. 170 JPEG reeksopname
De EOS 500D maakt met 3,4 bps reeksopnamen tot 170 grote JPEG beelden (9 RAW).
3,0
Clear View LCD met Live View mode
Gedetailleerde controle van foto's en videobeelden op een 3,0
ClearView LCD scherm met 920.000 dots voor extra duidelijkheid. Schakel over naar Live View mode en gebruik de real-time beeldweergave om onder ongebruikelijke hoeken te fotograferen of videobeelden vast te leggen.
9-punts AF systeem
Een nauwkeurig AF systeem gebruikt 9 AF punten. De AF punten zijn verspreid over het beeld om beter te worden gebruikt voor onderwerpen die zich niet in het midden bevinden. Voor nauwkeurig scherpstellen met objectieven met een groot diafragma, gebruikt het middelste AF punt een uiterst gevoelige cross-type sensor zodat de camera geschikt is voor objectieven met een diafragma van f/2.8 of sneller.
DIGIC 4
De Canon DIGIC 4 processor maakt samen met de CMOS sensor een 14-bits beeldverwerking mogelijk voor vloeiende gradaties en natuurlijke kleuren. DIGIC 4 zorgt naast bijna onmiddellijk starten.
EF-S 18-135mm f/3.5-5.6 IS
Dankzij het multifunctionele zoombereik van groothoek tot telefoto en de 4-stops Image Stabilizer van Canon biedt de EF-S 18-135mm f/3.5-5.6 IS een complete veelzijdigheid voor iedereen.
Kenmerken
Krachtige, all-round zoom van 7,5 x voor camera's met EF-S (29-216mm equivalent)
4-stops Image Stabilizer
Automatische panning- en statiefdetectie
Korte scherpstelafstand van 45 cm
UD- en asferische lenzen
Super Spectra-coatings
Cirkelvormig diafragma met 6 lamellen
Optionele zonnekapen.directe weergave na het fotograferen tevens voor geavanceerde beeldruisreductie bij fotografie met hogere ISO waarden.
Kenmerken
- Superieure 12-Megapixel beeldkwaliteit
- Functiehandleiding op het scherm
- Creative Auto en Basic+ modi
- HD-video-opnamen
- ISO-gevoeligheid van 100-6400
- 9-punts AF-systeem met grote dekking
- 63-zones iFCL-lichtmeting
- 6,8 cm, 230.000-dots LCD-scherm
- Te gebruiken met alle EF en EF-S objectieven
Resolutie van 12 Megapixel
Stap over op DSLR-beeldkwaliteit met een sensor met APS-C-formaat van 12 Megapixel. Met een 14-bits DIGIC 4-beeldprocessor kun je continu opnemen met een snelheid van 3,2 fps en foto's produceren die uitmunten in detail en kleurbereik.
Intu
tieve functiehandleiding op het scherm
De functiehandleiding van de EOS 1100D geeft beschrijvingen van veel van de functies van de camera, evenals advies over het gebruik ervan in je eigen fotografie.
Gemakkelijk te gebruiken Sc
ne-modi en Basic+
Op thema's gebaseerde sc
ne-modi selecteren automatisch de meest geschikte instellingen voor belichting, scherpstelling en drivemodus. In de modus Creative Auto worden de instelbare functies overzichtelijk weergegeven. Met Canon's Basic + technologie kunnen deze automatische modi nauwkeurig worden afgestemd op de ambiance en het soort licht op de sc
ne.
HD EOS-filmmodus
Schitterende HD-video-opnamen maken op 25 of 30 fps met automatische belichtingsregeling, zodat je je helemaal op de actie kunt concentreren. Je kunt je opnamen bewerken op je pc of Mac of direct afspelen op een HD-tv via de HDMI-aansluiting van de camera.
ISO-gevoeligheid van 100-6400
Opnamen maken bij weinig licht zonder flitser is mogelijk dankzij het gevoeligheidsbereik van 100 tot 6400 van de EOS 1100D. De 14-bits DIGIC 4 beeldprocessor van de camera helpt ruis te onderdrukken en de beeldkwaliteit te handhaven.
9-punts AF-systeem met grote dekking
Dankzij de autofocus van 9 punten, verspreid over het gehele AF-beeld, is de EOS 1100D snel en nauwkeurig scherp te stellen op statische en bewegende onderwerpen. Een 'cross-type' AF-punt in het midden is gevoelig voor zowel horizontale als verticale lijnen.
63-zones iFCL-lichtmeting
Geavanceerde iFCL-lichtmeting verdeelt een sc
ne in 63 zones, waarna de perfecte combinatie van sluitersnelheid, diafragma en ISO wordt bepaald.
6,8 cm, 230.000-dots LCD-scherm
Op het grote 230.000-dots LCD-scherm, dat ook toegang geeft tot het menusysteem van de camera en het Quick Control-scherm, kun je eenvoudig beelden samenstellen en bekijken.
Te gebruiken met alle EF en EF-S objectieven
De EOS 1100D wordt ondersteund door de complete serie EOS-objectieven en -accessoires: flitsers, ontspanners op afstand en een systeem van meer dan 60 objectieven waarop professionele fotografen over de hele wereld zich verlaten.
- 18-megapixel CMOS sensor
- Scene Intelligent Auto mode
- Full-HD EOS Movie
- On-screen Feature Guide
- 3.7fps continuous shooting
- Wide-area 9-point AF
- 1,040k-dot vari-angle 7.7cm (3.0
) screen
- Basic+ and Creative Filters
- Built-in wireless flash control.
18 MP APS-C CMOS sensor
An APS-C sized, 18-megapixel CMOS sensor captures images that are packed with detail and clarity. Such high-resolution allows large print sizes and the flexibility to crop pictures for alternative compositions.
ISO 100-6400 sensitivity
An ISO range of 100-6400, extendable to ISO 12,800, enables high-quality hand-held shooting in low-light conditions, without the need for flash.
14-bit image processing
At the heart of the Canon EOS 600D is a 14-bit DIGIC 4 image processor that provides exceptional colour reproduction, smooth tonal gradation and tight control over noise.
Scene Intelligent Auto mode
Scene Intelligent Auto analyzes each scene in detail and picks the right camera settings each and every time, leaving you free to concentrate on what
s important
your photography.
On-screen Feature Guide
The EOS 600D
s on-screen Feature Guide provides descriptions of many of the camera
s functions, as well as advice on how to use them.
Full-HD EOS Movie
Shoot Full-HD video with manual control over frame rate, exposure and sound. Video Snapshot technology allows short clips of 2, 4 or 8 sec to be merged into a single movie file, for footage that looks like it was edited professionally, while Movie Digital Zoom permits 3-10x magnification while retaining Full-HD quality.
9-point wide-area AF and iFCL metering
Nine AF points, including one central cross-type sensor, spread out across the frame for swift, accurate focusing, even with off-centre subjects. 63-zone iFCL metering ensures accurate exposures time after time.
1,040k-dot vari-angle 7.7cm (3.0
) screen
Shoot from unique angles with a 7.7cm (3.0
) 3:2 Clear View LCD screen, containing 1,040,000 dots for increased clarity.
Basic+
Basic+ technology allows photographers to customize basic auto settings according to lighting conditions or ambience.
Creative Filter Effects
Creative Filter Effects can be applied to Raw and JPEG files post capture, including Toy Camera, Soft Focus, Miniature, Grainy Black & White and Fish Eye simulations.
Built-in wireless flash control
An integrated wireless Speedlite flash controller and Easy Wireless technology allow off-camera TTL flash without the need for extra accessories.
Use with all EF and EF-S lenses
The EOS 600D is supported by the complete system: flashguns, remote releases and over 60 lenses trusted by professional photographers the world over.
- 18-megapixel CMOS sensor
- Scene Intelligent Auto mode
- Full-HD EOS Movie
- On-screen Feature Guide
- 3.7fps continuous shooting
- Wide-area 9-point AF
- 1,040k-dot vari-angle 7.7cm (3.0
) screen
- Basic+ and Creative Filters
- Built-in wireless flash control.
18 MP APS-C CMOS sensor
An APS-C sized, 18-megapixel CMOS sensor captures images that are packed with detail and clarity. Such high-resolution allows large print sizes and the flexibility to crop pictures for alternative compositions.
ISO 100-6400 sensitivity
An ISO range of 100-6400, extendable to ISO 12,800, enables high-quality hand-held shooting in low-light conditions, without the need for flash.
14-bit image processing
At the heart of the Canon EOS 600D is a 14-bit DIGIC 4 image processor that provides exceptional colour reproduction, smooth tonal gradation and tight control over noise.
Scene Intelligent Auto mode
Scene Intelligent Auto analyzes each scene in detail and picks the right camera settings each and every time, leaving you free to concentrate on what
s important
your photography.
On-screen Feature Guide
The EOS 600D
s on-screen Feature Guide provides descriptions of many of the camera
s functions, as well as advice on how to use them.
Full-HD EOS Movie
Shoot Full-HD video with manual control over frame rate, exposure and sound. Video Snapshot technology allows short clips of 2, 4 or 8 sec to be merged into a single movie file, for footage that looks like it was edited professionally, while Movie Digital Zoom permits 3-10x magnification while retaining Full-HD quality.
9-point wide-area AF and iFCL metering
Nine AF points, including one central cross-type sensor, spread out across the frame for swift, accurate focusing, even with off-centre subjects. 63-zone iFCL metering ensures accurate exposures time after time.
1,040k-dot vari-angle 7.7cm (3.0
) screen
Shoot from unique angles with a 7.7cm (3.0
) 3:2 Clear View LCD screen, containing 1,040,000 dots for increased clarity.
Basic+
Basic+ technology allows photographers to customize basic auto settings according to lighting conditions or ambience.
Creative Filter Effects
Creative Filter Effects can be applied to Raw and JPEG files post capture, including Toy Camera, Soft Focus, Miniature, Grainy Black & White and Fish Eye simulations.
Built-in wireless flash control
An integrated wireless Speedlite flash controller and Easy Wireless technology allow off-camera TTL flash without the need for extra accessories.
Use with all EF and EF-S lenses
The EOS 600D is supported by the complete system: flashguns, remote releases and over 60 lenses trusted by professional photographers the world over.
You already have the eye. Now all you need is the camera to capture the world exactly the way you see it. The ES25 combines a 27mm wide angle lens with a 4x optical zoom. Letting you can fit more in frame while delivering a deeper perspective. And the 12.2 mega pixel provides the sharp, crisp detail to reveal all kinds of things. Including what a great photographer you are.
Just what you had in mind
You see the image you want in your head. You point the ES25. And Smart Auto sees it too. This scene recognition technology actually chooses from 16 different settings ranging from landscape to portrait automatically. Then adjusts for the perfect shot. Whether it's catching your friends on a night on the town or a waterfall off a mountain. What you get is exactly what you had in mind. Plus all the credit.
Lost. And then found.
Say you've got about 2,000 photos stored on your ES25 and you're looking for one in particular. You could flip through all 2000 or have the Smart Album feature do it for you. It will search and find photos just the way you want. Go straight to that shot you took whether it was last week or last Friday. You can search by colour ton, or even by file type. So no matter how many memories you have crammed onto your memory card, getting directly to the one you want is a no brainer.
High Sensitivity ISO 1600
With a true ISO 1600 setting, your Samsung camera can effectively minimise noise for crystal clear images. The super speed sensitive ISO 1600 feature give you the ability to take amazingly detailed photos even under low light conditions. Plus, ISO 1600 lets you take perfectly focused photos of fast-moving images, like during a sporting event. (ISO 1600: up to 3M)
Shake, Rattle or Stroll
Even the tiniest shake can ruin your shot. The ES25's Digital Image Stabilisation solves that. Digital Image Stabilisation gives you sharp images no matter the condition. Whether it's low light, zooming or just a case of plain old shaky hands, your photos come out sharp and clear. So let the ES25 shake things up. In a good way.
VGA quality video. Now in a compact camera.
If you prefer still shots to movies but want to leave your options open the ES25 is right for you. You'll get 640 x 480 quality video at 30 frames per second. You even can use the 4x optical zoom to get up close and vividly personal. And when things get dicey, you can even pause your recording. You'll give up nothing, except carrying around that extra camera.
